At the heart of Quezon City stands Limbaga 77 Cafe Restaurant , a culinary haven that has been delighting diners with classic and refined Filipino cuisine since 2014. Over the past ten years, it has evolved into more than just a casual dining spot. Limbaga 77 has stood the test of time, becoming the go-to establishment for cozy feasts, sentimental gatherings, and cherished celebrations. With its warm and inviting ambiance, the restaurant has welcomed families, friends, balikbayans, colleagues, and even solo diners craving the richness of familiar Filipino flavors passed down through generations. Unfazed by ever-changing public tastes and fleeting food trends, Limbaga 77 continues to capture the hearts of its patrons by offering a delightful menu of traditional local specialties. Guests are drawn to its flavorful Kare-Kare , comforting Sinigang na Salmon , tender Adobong Tadyang ng Baka , and satisfying Pancit Bihon . But what sets Limbaga 77 apart is its innovative twists on Filipino classics, all worth coming back for. Crowd favorites include the flavorful Stuffed Bulaklak ng Kalabasa , the refreshing Sinigang na Baka sa Pakwan , the rich and savory Baked Lechon Paksiw , and the hearty Stuffed Laing . To complete the dining experience, Limbaga 77 offers a selection of specially crafted desserts, perfect for any occasion. Their latest creation, the Buena Mango , is a creamy and fruity layered cake that has quickly become a favorite among dessert lovers. For those celebrating with larger groups, the restaurant also offers shareable portions and festive Buffet Sets featuring select signature dishes, making it ideal for banquets and special occasions. Baked Lechon Paksiw Buena Mango Stuffed Bulaklak ng Kalabasa As Limbaga 77 marks its 10th anniversary this December, it invites everyone to join in the celebration. Whether you're looking to relive fond memories, create new ones, or simply enjoy a hearty meal, Limbaga 77 is the place to be. Reserve a table or two and indulge in the rich, comforting flavors of home—an experience that has remained timeless for a decade. From left to right, clockwise: ● Danggin Rice ● Kare-Kare ● Lychee Grapes Shake ● Limbaga 77 Salad ● Prawns in Garlic Sauce Visit Limbaga 77 Cafe Restaurant at 77 Sct. Limbaga Street, Tomas Morato Avenue, Brgy. Laging Handa, Quezon City. For inquiries, contact: (02) 8374 35 09 & 0926 715 8134 orvia Facebook, Instagram, TikTok: @Limbaga77Restaurant.Official website: https://www.pino77foodscorp.com/limbaga/

Jor-El Espina Atelier Manila is more than just a space for shopping. It’s also a creative sanctuary for unique design collaborations, sharing of stories about craft, and continuous discovery of Filipino ingenuity. Arnaiz Avenue, Makati –A 120-square meter space on the 7th floor of One Corporate Plaza building had recently been transformed into a design studio. Now known as the JOR-EL ESPINA ATELIER MANILA , it is a space where patrons of the Filipino contemporary design can connect with stories of craft, creativity, and collaboration. “Setting up an atelier was a natural progression for us,” begins Jor-El. “We didn’t just want to build a space to showcase our designs. Our intention was to create an immersive experience for our clients.” Patrons were the primary inspiration behind the newly-launched design studio. For Jor-El, it was important to build a space that serves as a creative hub. “Where we can design, collaborate, and innovate. The atelier allows us to engage more personally with all our patrons–offering a deeper connection with our craft, story, and commitment to contemporary Filipino design.” The atelier is also an extension of Jor-El Espina’s design codes. Filipino elegance and warmth, infused with modern industrial design sensibilities, echo throughout the expansive space. “We wanted it to feel intimate yet aspirational, a reflection of the women who wear our pieces.” A bespoke fitting area serves as a key highlight of the atelier. Here, patrons can immerse in the rituals of dressing. It is also an intimate corner where “dream designs come to life.” One side of the space functions as a display corner. Pieces on display pay homage to the rich textures, patterns, and intricate details borne from the Philippines’ rich culture of craft. “I’d like to think of our atelier as a sanctuary for local creativity and elegance.” The atelier has also inspired a thoughtful expansion into other lifestyle categories. “We remain focused on the creation of beautiful contemporary Filipiniana garments,” the designer clarifies. “We are equally excited about introducing other products that reflect our sensibilities and aesthetics.” Artisanal accessories and a tight edit of home pieces add a new dimension to the Jor-El Espina retail experience. The atelier will also be home for special design collaborations as well as limited edition designs tailored just for the atelier’s clientele. Jor-El Espina, one of the country’s most exciting Filipino contemporary designers today, gives us a walk through of his atelier. “From the moment they walk in, they’ll feel the warmth of Filipino hospitality combined with the sophistication of a modern atelier. This isn’t just a place to shop. It’s a space for exchanging stories, inspiration. Here, design dreams are made tangible. We endeavor to redefine the shopping experience by turning every visit into a sensorial journey into the world of contemporary Filipino design.” JOR-EL ESPINA ATELIER MANILA is located at 703 One Corporate Plaza, Arnaiz Avenue, Makati City. For appointments, contact 0931 127 2802. Store hours are from 10AM to 8PM.For updates, follow us on Instagram @jorel_espinaph.

Presente by ArteFino will happen from November 28 to December 1 at the Fifth at Rockwell. This year’s fair shines the light on values like responsible retailing and upcycling that make holiday shopping more joyful and meaningful. Here’s everything you need to know about the brands, products, and highlights of the most awaited holiday artisanal affair. Since it was established in 2017, ArteFino has grown as a platform, community, movement, and incubator for Philippine creativity. Led by its founders, Cedie Vargas, Maritess Pineda, Mita Rufino, Marimel Francisco, and Susie Quiros, the trade fair has continuously championed responsible retailing and shopping with a purpose in a manner that is uniquely Filipino. Apart from its annual festival, which gathers the community every August, ArteFino has also brought Presente to life. It was initially envisioned as a holiday pop-up showcasing “gifts that give back,” but later evolved to become one of the most awaited artisanal events in the annual Christmas calendar. This year, Presente by ArteFino focuses on unboxing the gifts of responsible retailing. These include time-honored values and Filipino traditions that set the movement and its community apart. Festive flavors, holiday and home decor, unique gift items, party-season fashion do more than just set the tone for a joyous Christmas celebration. They also push the conversation of craft, intentional design, and conscious consumption forward. (LEFT) TOP - DANI OSMEÑA SKIRT & SHAWL - DITTA SANDICO. (RIGHT) TOP - SARI LAZARO SKIRT - DITTA SANDICO (LEFT) DRESS - TAGPI_ (RIGHT) TOP - TAGPI, PANTS - COCO & TRES Here, a list of experiences, event highlights, brands, and love local products to look forward to during Presente by ArteFino: 1. A JOYFUL GATHERING OF A CIRCULAR COMMUNITY At ArteFino, a distinct sense of fellowship and camaraderie binds a growing community of conscious shoppers, makers, creators, designers and social entrepreneurs. Values of sustainability and responsible retailing also serve as common threads for this creative and inclusive ecosystem. This shared passion for championing local crafts, culture, and artistry, form a special kinship that makes shopping at the fair even more joyful. YNDAN 2. HEARTEFINO: A HOLIDAY COLLECTION WITH HEART At the heart of this artisanal movement and gathering of community is the HeArteFino Foundation. The artisanal fair charges a P150 entrance fee, all of which are dedicated to the non-profit’s development programs and the communities it supports. Beneficiaries of the HeArteFino Development Program include: beaders of the Bagobo Tagbanwa community, as well as Kabankalan weavers from Negros and textile makers from Hablon ni Laureana in Argao, Cebu. Output from these initiatives have likewise made it to the selling floors of ArteFino, bringing a full circle moment for the community. This year’s HeArteFino collection will feature: ●  Patty Eustaquio’s Zero Waste Collection in collaboration with Bayo Atelier ●  Knitwear by ALLENA PH ●  Beaded pieces from the Bagobo Tagbanwa community “Funds that will be raised from these collections will support HeArteFino’s Development Program Grant and Community Grants next year,” explains the team. These initiatives empower artisanal communities, elevating their craft, creating sustainable livelihood, while supporting the preservation of our time-honored traditions. Bayo Atelier x Patty Eustaquio for HeArteFino BLAZER - HEARTEFINO X ALLENA_ INNER TOP - COCO & TRES_ SKIRT - BAGOYAN_ FOOTWEAR - AI-SHE Bayo Atelier x Patty Eustaquio for HeArteFino(3) 3. CREATIVE COLLABORATIONS AND DESIGNER PAIRINGS ArteFino has long been a platform and meeting place for like-minded Filipino creatives to come together. Linkages between communities, artisans, entrepreneurs, makers, and creative minds are formed through an extensive network of collaborations. Apart from Patty Eustaquio’s return to fashion with Bayo Atelier, shoppers can expect exciting pairings between their favorite brands, designers, and artists. Apart from Patty Eustaquio’s collaboration with Bayo Atelier (for HeArteFino), Rhett Eala,will launch a capsule collection featuring artworks by Carlo Tanseco. Jor-El Espina will also showcase new pieces created in collaboration with Viktor Manila. This holiday season, several brands will also come together (in one booth) to create a shopper’s experience unlike any other: ●  CALLI Bags and Farah Abu ●  Capricho and Toping Zamora ●  Sari Lazaro and Jorvien ●   Ha.bi and Peewee Benitez ●  Rosber Villar and Tina Campos Jewelry ●  Pamela Alicia and Project Nova ●  Christian Cera and PIESA ●  Jun Escario and Vero Fine Jewellery ArteFino ’s collaboration with the SoFA Design Institute was carried out with the intention of influencing the next generation of makers. The team shares, “We wanted to partner with a creative incubator like SoFA, especially for the Maker’s Lab: Totally Upcycled Challenge.” Inspired by the ideals of up-cycling, recycling, and responsible retailing, this fair’s central setting will also be created by Interior Design Students of SoFA. The main message: A Sustainable Holiday, A Brighter Future. The ArteFino team details: “The Central Setting will feature entries from the ArteFino Maker’s Lab: Totally Upcycled Challenge. Several of our brand partners donated scrap fabrics; not just for our participants, but also to complete this space.” Bag - Follow Your Heart Bags(1) ACCESORIES - ARNEL PAPA_ TOP - ALEGRE BY TECHIE HAGEDORN(1) 4. A BIGGER AND BRIGHTER ARTEFINO MAKER’S LAB: TOTALLY UPCYCLED CHALLENGE Co-presented by Security Bank, the Artefino Maker’s Lab Totally Upcycled Challenge is an annual design competition that inspires participants to create compelling pieces made of discarded materials—denim, wood, scrap fabric, plastic, and even paper. It is a key highlight this year that anchors the movement’s ongoing campaign for responsible retailing. For the challenge, six teams of design students from SoFA will present three-piece collections shaped by the concept of “Retaso + ATBP.” The big goal, to propose fresh, innovative ideas on how to breathe new life to old garments and discarded materials. Every team is paired with a mentor, some of whom are drawn from ArteFino ’s roster of brands and designers. Winners of the Maker’s Lab: Totally Upcycled Challenge will be announced during the four-day event. ArteFino ’s organizing team adds, “They also will be involved at next year’s ArteFino Festival, creating a sense of continuity for the journey’s of our winners.” Rhett Eala 5. FESTIVE FLAVORS: BITES AND LIBATIONS AT ARTEFINO EATS Merry-making, camaraderie, and celebrations accompany the retail experience at Presente by ArteFino Presente . Marimel Francisco, a co-founder, says, “Ultimately, it’s a celebration. There will be cocktailseveryday, starting at 4PM. Live Christmas music, puto bumbong, and bibingka will also add to the daily festivities.” A wide range of homegrown food and beverage concepts will also transform the halls of the Fifth at Rockwell into a full-blown Filipino Christmas reception. These include: ●  Gourmandise by Sunshine ●  Tilde Bakery & Kitchen ●  CMV TXOKOLAT ●  Wawa Bing’s Kitchen ●  ARC Gin ●  Tiger Craft Chocolates ●  PINKERTON ICE CREAM ●  ArteVino ●  Bucky’s ●  Bibingka Atbp ●  The Plaza Catering ●  The Plaza Premium Baked Ham ●  Netong’s La Paz Batchoy ●  The Seven Pantry 6. STROKES OF FILIPINO ARTISTRY: GIFT ITEMS, HOME AND CHRISTMAS DECOR Gift items, home, entertaining, and Christmas decor at this year’s fair feature fine Filipino artistry and unmatched creativity. Chinaware, placemats, heritage fans, trays, throw pillows, parols, and ceramics serve as canvases for portraits of Philippine life, festivities, and gatherings. Brands that highlight strokes of Filipino artistry this season include: ●  Art of Gold ●  The Fine Life Market ●  Millie Monday ●  Looking for Juan ●  Casa Juan ●  Follow Your Heart Bags ●  Casa Mercedes ●  Casa Collective ●  Artifeks ●  Sulat Habang Buhay ArteFino Finds, a curated space filled with artisanal products, will also showcase holiday gifting items for Presente . Decorative, ornamental objects as well as holiday wear make up the season’s edit. The team expounds, “We usually look for smaller, emerging brands that don’t have their own platforms yet. We endeavor to support them by giving them a space and a chance to be part of ArteFino through Finds.” Emerging brands to watch out for at ArteFino Finds are: ●  OlaHaus ●  Pampinay ●  Sisa ●  Wenya ●  Crystal Seas ●  OneWeave ●  Ash&Muff ●  Woven PH ●  Curioser House ●  Milvidas ●  Pilgrim Queen ●  Assirenn ●  RedDot Collective 7. DESIGNED WITH INTENTION, MADE BY HAND At its essence, products, brands and collections presented at ArteFino are tributes to the world of our artisans’ hands. They are living, evolving testaments to the community’s passion for ensuring the survival of Philippine craft. Running parallel to this discipline is the use of natural materials. Marimel observes, “This has served as both key attribute and differentiating trait for Philippine craft and artistry. That our brands can design with intention and create masterpieces entirely by hand, speaks volumes to the community’s creativity, resourcefulness, and boundless imagination.” At Presente by ArteFino, brands and designers endeavor to elevate various fabrics, fibers, and other seemingly humble raw materials like abaca, jute, bamboo, rattan, piña, shell, wood, stones, and metals into holiday treasures–sourced from the earth, molded by Filipino hands. Partner brands at this year’s Presenté that hone in on time-honored Filipino traditions of craft are: A. ForTextileArt ●  Emerie Studios ●  DITTA ●  Alegre by Techie Hagedorn ●  Barba ●  Dani Osmena ●  Trude Lizares B. ForWeaves ●  Capricho ●  YNDAN ●  Bagoyan ●  Christian Cera ●  Sari Lazaro ●  Odel ●  Jorvien ●  Aire ●  Bicol Sweet Grass ●  Disenyo del Sur C. ForWoodWork ●  Sustainably Made by MARSSE ●  Charming Baldemor Studios ●  CALLI Bags D. Needlepoint ●  Wear Your Culture ●  Edited Limited ●  Toping Zamora ● Studio Philippo ● Tagpi E. Patchwork ●  Coco & Tres ●  Two Chic ●  Pinas Sadya ●  Local Art + Home + Fashion F. Pottery and Ceramics ●  Fine Bone/Aurea ●  Cornerstone Pottery G. For Ornament and Jewelry Making ●  Arnel Papa ●  Fedesto ●  Golden Monstera ●  Farah Abu ●  Tina Campos Fine Jewelry ●  Adante Leyesa ●  Arete, ●  Earl Gariando ●  Pamela Alicia ●  Piesa ●  Peewee Benitez ●  Judy Jewels ●  My Gems Jewelry ●  NatureLine ●  Caro Wilson H. ShoeMaking ●  Aishe Fashion ●  Lakat Sustainables ●  SatrenPH ●  Jhaz 8. UNWRAPPING NEWNESS AT PRESENTÉ At every trade fair, patrons of ArteFino consistently look for brands and designers to discover and support. As an incubator for local talent, the platform has launched and nurtured some of the most renowned names in Philippine design and fashion today. Marimel ponders, “Beyond the thrill of discovery, we are dedicated to seeking, developing, and supporting emerging Filipino brands and talents that will bring forward new ideas, innovations, and sensibilities to the responsible retailing movement.” New brands to watch out for at Presente by ArteFino are: ●   Ha.bi ̄ ●  Peewee Benitez ●  Satren ●  Arete ●  Jeanjaquet ●  Bougainvilla ●  Ikot ●  A(cursive letter)rtifeks ●  Natureline Home Decor ●  Azcor Year after year, whether it be the big festival in August or the holiday trade fair, ArteFino pushes the boundaries promoting, and elevating Philippine craft, culture, and artistry. With over a 100 brands, collaborators, and designers joining Presente by Artefino for 2024, everyone is invited to immerse in a holiday experience shaped by ideals like loving local, responsible retailing, upcycling, and sustainable living. The more, the merrier! PRESENTE BY ARTEFINO will happen from November 28 to December 1 at the Fifth at Rockwell. For updates, follow us on Instagram @artefinoph.

Jo Ann Bitagcol’s evolution within the creative space is an ongoing journey of exploration and expansion. Over the years, the muse, icon, designer, and visual artist has seamlessly brought her work behind the lens into the realms of art and fashion. Her eponymous brand, bitagcol , was launched in 2020 with the introduction of satin silk scarves that featured digital photo prints. Compelling images that captured elements of Philippine life, heritage, and culture immediately drew distinction for the brand. From the first collection of scarves, bitagcol’s product range later grew to include signature t-shirt barongs, robes, dresses, aprons, and skirts. As her choice of canvas diversified bitagcol also began to explore new avenues for showcasing her wares. At the start of the brand’s journey, it connected with audiences most through participation in trade fairs. Earlier this year, however, the designer announced the opening of her first studio in Poblacion. The showroom has since become a go-to for fashion cognoscenti and loyal patrons of the brand. To close out a banner year, bitagcol will set up a pop up space at the Powerplant Mall from November 2024 to January 2025. “The work I do with bitagcol is rooted in the desire to celebrate and honor our culture.” Jo Ann begins. “I wanted to bring this vision to a wider market by holding a pop up this holiday season. The space is for those who have not yet been to the showroom or individuals who have not yet experienced the brand” restart: looking back and moving forward In preparation for the pop up space, Jo Ann revisited well-loved prints from past collections. “Since this would be the first pop up, I wanted to share with our new audience the prints and bestsellers that put our brand on the map,” she intimates. Instead of simply reproducing these well-loved pieces, the visual artist explored new shapes, silhouettes, fabrication, and details. “We will still carry the signature shirts, of course,” she emphasizes, “But we are adding long dresses into the mix along other pieces that utilize lace.” Three new baro prints will also be introduced via oversized scarves that can either be worn or framed as works of art. home for the holidays Like her showroom in Poblacion, the open space on the second floor of the Powerplant Mall reflects Jo Ann’s minimalist yet relaxed design inclinations. The visual artist shares that apart from garments, the pop up will carry home accessories that feature bitagcol ’s iconic prints. The home collection by bitagcol will be available at the pop up space, just in time for the holidays. These include wooden serving trays featuring terno and baro prints. There will also be Pastillas prints that add a pop of color and vibrance to oversized coasters. bitagcol’ s collaboration with S.C Vizcarra are also reimagined this season as placemats. Jo Ann explains, “We wanted the pop up space to feel like home. We sought to build an ideal platform to introduce home accessories to our collection. The pop up may be a new location, but it will remain homey and welcoming as the studio.” The decision to venture into the home category was informed by feedback and requests from clients. “It was very inspiring to hear that patrons of the brand want our heritage to be present everywhere. A part of an entire lifestyle.” The expansion into new categories also speaks to the brand’s ethos for finding new applications, mediums, and canvases that birth limitless, boundless ideas. The concept of a re-start has accompanied Jo Ann from the time the pop up idea was first hatched up to when new garments and the home collection for the space was put together. Jo Ann ponders, “This is a new venture for the brand that inspired me to think of a refresh. To look back, but move forward.” The bitagcol pop store is located on the 2nd floor of the Powerplant Mall. For updates, follow @joannbitagcol on Instagram.

In an era where images flood our screens daily, capturing something truly human within a frame is an art form that few photographers can achieve. For this featured portrait and fashion photographer, this art is a journey—a winding path that began with an inspiration found between the pages of Rogue magazine and took shape through small, formative assignments in college. Today, he’s made it his mission to bring life and depth to every shot, finding beauty in both posed fashion scenes and the genuine spontaneity of everyday life. Background & Inspiration How did your journey into portrait and fashion photography begin? Were there any early experiences that shaped your creative path? I’d say that it was in college that I made the conscious decision to pursue taking photos of people as a career, or at least had the realization of what was possible. Back then, I was part of various university organizations as a photographer and, though I was photographing people, it was more in the context of event coverage versus portraiture or something editorial. I have a clear memory though of how something shifted in me when I first flipped through an issue of the now defunct Rogue  magazine, and I saw what photos could be and how they could be used as part of stories. Plus, in maybe my sophomore or junior year, I somehow landed small assignments from Young Star Philippines  that challenged me to take portraits. My path kind of opened up from there. Your work spans diverse themes—what inspires you when capturing different subjects, from fashion to lifestyle? I think at the heart of it I just want a person to feel like a person, or, when there isn’t a person in a photo, that there’s still the sense of humanity in there somehow. And I want the sense that something is happening or has happened. Whether it’s portraiture or documentary work, I’m always drawn to the living aspect. When it’s a person, I like to see the subject interacting naturally with their surroundings, with what they’re wearing, and even with me or the team surrounding us at the shoot. When it’s photos that aren’t of people, I’m drawn to objects with traces of life or spaces that look lived in, which are like portraits in themselves. Creative Process How do you approach conceptualizing a visual story? Are there certain elements or narratives you always aim to incorporate? My ‘upbringing’ as a photographer was in the school of thought that the visual aspect of the story has to be grounded on  the story, so I guess my first considerations are questions like: “What is this about, and what are we trying to say about it?” Those follow whatever the subject of the photos is, whether it’s a person, an event, an object, or even a feeling. From this a lot of the visual parts of the story can take shape, from where you point your camera, to how you frame certain things. And then the personal aspect of photographing comes in: “How do I feel about this? What is my experience of it? How do my personal biases and capabilities inform the way I take these photos?” I think this is always important to think about because it grounds the work and also speaks to its uniqueness. And then lastly, “Who are we telling this story to? What is the experience that we want them to have?” I ask these to help me decide my approach, my composition, my treatment, down to the selection for and sequencing of a photo set.  With all of that said, I am also trying to push against how I’ve come to know making visual stories this way, which, while founded on intentions, might be too analytical and rigid in some ways. Over the last few years, I’ve learned that there’s also space in visual storytelling to simply create out of feeling, with results that are even more interesting. Meaning can be found in the unintentional and the unexpected, too. When photographing a person or a community, how do you capture the essence of the subject authentically? It’s not easy and it’s not something I can say I always successfully do. But I always want to try. When photographing people, I try to get the subject (and, when it’s a highly produced shoot, everyone in the team) to understand that the photos aren’t only created by me, but by us together. I do this by talking to them, trying to get to know them, and also by opening up to them about myself and what I imagine for the photographs. In many words and actions and vibes, I think I just try to express something like, “Hey, I know this shoot may be for so and so, and I understand how awkward shoots or being photographed can be, but I’m here to capture you as you. Please let me know how we can achieve that together.” Technique & Style What role do lighting and location play in your portraits? Do you have a favorite setup or environment? I actually prefer shooting with daylight or at least light that’s already available in a space, so this also decides my preference with locations. I especially like it when natural light does something interesting, like when there’s a small shaft of light passing through an opening somewhere, or when the light filters through foliage and makes nice shapes and shadows on a wall. I like these conditions especially when it comes to portraits — sometimes I feel like the studio spaces and the big lights and the equipment emphasize the “photoshoot-ness” of a shoot, which can be intimidating or overwhelming for the subject, versus settings where the light is just silently there, so the person may not be as distracted from just being themselves. Over the years, though, I have been trying to learn to light set-ups artificially also. This has actually benefited how I shoot with natural light, too, because I’ve learned to pay closer attention to how light behaves and how to manipulate it. When lighting spaces I wouldn’t consider myself so technical and fussy; as much as possible, I just try to recreate what I’d like in a naturally lit setting. Other than that, I’ve also been experimenting with straight-on hard flash. I like how this relatively uncomplicated setup can produce jarring, otherworldly photographs. Can you share any techniques that help bring out both intimacy and artistry in your images? Like I said, it’s difficult sometimes to foster intimacy at a shoot, and it really involves working to get everyone (myself included) to a place of ease and openness. Other than conversation, one small, simple thing that has helped me get there is playing music. Music can immediately set the tone. And then I ask the subject what they would like to play or what they’ve been listening to, so that we can listen to it together.  I think in any project, there’s the opportunity for artistry, to incorporate yourself more or attempt new, different things — in shooting, treatment, or editing. In any shoot, even the ones that are meant to fulfill a premade brief, I try to walk away with something for myself and the feeling that I did something that was ‘me.’ What is your editing philosophy? How do you balance enhancement with maintaining the integrity of a shot? I’m sort of in an interesting place when it comes to treatment. Lately I’ve been experimenting and taking more creative liberties with my photos in post, in terms of cropping and coloring, whereas before I used to be afraid of straying too far from how a photo looks as shot. But if anything, I still want any of my adjustments to feel real and organic somehow. I don’t want it to get in the way of what’s in the photo and what the photo is trying to say. Career Highlights & Insights What have been some of your most meaningful or memorable projects, and why did they stand out? I’m incredibly lucky to have had a lot of very meaningful portrait and documentary projects just this past year alone that really pushed my work in different ways. The ones that stand out especially for me are projects where I felt that I could apply myself more, or where I was challenged to go outside how I’m used to taking photographs. I’ve also been slowly working on a personal, more artistic project about my family and my identity over the last two or three years. In this project, I feel like I’m applying the things I’ve learned about photography while also unlearning them and looking at new ways to approach imagemaking. How do you balance client expectations with your creative vision during a project? For client work, it’s vital to be on the same page on the get-go. I’m getting into the practice where at the start something, after getting to know what the story is and what the client imagines for the project, I make my own board jumping off of their references and assembling my own, based on what I have in mind for the photos. I show this to them and see what they think. At the shoot, I try to accommodate the client’s approach first and work to get the kinds of images they need. Once we’re happy with what we’ve got, that’s when I move towards my spin on things. Down to post-processing and editing, I always express my recommendations or preferences so we can maybe meet halfway and make the process more collaborative. I think it took me a while in my career to develop the confidence to assert my own creative vision more, maybe because I also needed the time to figure out what that is and how to negotiate it. But also there’s nothing better than finding the right clients or collaborators who simply trust you and create generous spaces for your work. Perspective on Photography How do you see the evolution of fashion and portrait photography in an age dominated by social media? I can’t say for sure where it’s going from here. The digital age has made images in general more accessible than ever, which in itself might be a good thing, but I worry about the effects that constant image consumption and production have for photographers. I’ve certainly felt myself at times getting bogged down by how I think my work might appear and be received on social media, and by whether it can keep up. The digital age has kind of homogenized the form in which photos are experienced, but photos have lives outside being someone’s post or just figures on a screen. There are even other media like publications or exhibits where images can be taken in less rapid and more deliberate ways. Whether it’s portraiture or any other form of photography we’re engaging with, I hope we don’t lose sight of the life that a photo can contain.  What, to you, defines a photograph that resonates universally? Are there specific qualities that make an image timeless? There’s something unique and new for each of us to take away from any image at the point where we encounter them, and maybe in that way all photographs can be regarded as universal or timeless. The two of us can be looking at the same photo but appreciate it or parts of it for different reasons, and those will be decided by our respective contexts. While that’s true, I do think a photograph should be taken with its own context in mind, too: its subject, its author, maybe even its intended audience, and of course the time and place of its creation. Advice & Vision For aspiring photographers, what’s one piece of advice you would offer to develop a unique style? It’s a little funny for me to dispense advice about this because I go through a debilitating identity crisis every few months about my own ‘style’, but here’s something I try to tell myself: It’s very easy to reduce your photographic style to how your photos look, when it’s so much more than that. It’s about what you decide to point your camera at and shoot. It’s about how you decide between a successful image and an unsuccessful image. It’s about where you’re coming from and what your photos have to say. If you know what you have to say, it will transcend your photos’ appearance. It could even transcend the medium! That’s what will help you figure out your ‘style’. Do you have any upcoming projects or dream collaborations that excite you? I put a bunch of personal projects and ideas on the back burner but I think I’ve finally found the energy and courage to get them going again. We’ll see! Instragram: https://www.instagram.com/jljavier/ https://www.jljavier.com

“To mark its fifth year of purposeful art engagement and collaboration, SearchMindscape Foundation will mount a first-of-its-kind, multi-sensorial art event, aptly dubbed, IMMERSIVE ART. Anchored on the theme, Of Echoes and Currents, the creative festival will bring together live painting, music, performance art, underwater photography, large-scale digital art projections as well as interactive art installations for one day only–all under one expansive roof.” Since it was launched in 2019, the SearchMindscape Foundation has always dedicated its efforts towards creating spaces and opportunities that inspire interaction, collaboration, and engagement within the Philippine art space. Led by Founder and Project Director Ayni Nuyda, the non-profit organization has continually endeavored to build an inclusive, nurturing creative culture that supports the career growth of emerging contemporary artists. “The foundation has made it its mission to constantly search for visual artists and partners who value storytelling as a catalyst for connection, community building, and engagement,” Ayni shares. “It envisions itself as a gateway into the contemporary art world for artists and art enthusiasts alike, as well as a pathfinder for emerging visual artists to turn to for mentorship and support.” To mark its fifth year of purposeful art engagement and collaboration, Search Mindscape Foundation will mount a first-of-its-kind, multi-sensorial art event, aptly dubbed, IMMERSIVE ART . Anchored on the theme, Of Echoes and Currents , the creative festival will bring together live painting, music, performance art, underwater photography, large-scale digital art projections as well as interactive art installations for one day only–all under one expansive roof. On October 26, 2004, from 5:00PM onwards, the Green Sun Hotel along Chino Roces Avenue in Makati, will be transformed into an underwater universe brought to life by brush strokes, musical scores, movement, shadows, light, and palpable creative camaraderie. “We wanted to create an immersive art experience that would serve as a playground for both artists, enthusiasts, and audiences. Since day one, our work at SearchMindscape is about inspiring artists to thrive and empowering audiences to build a relationship with the art and the artists. Through the IMMERSIVE ART experience, we hope to blur the boundaries between collector and artist, building bridges that will reshape the audiences’ experience of art.” This audience journey at IMMERSIVE ART touches on the five senses. “This is how you create a memorable experience,” shares Ayni. The event was also designed with the intention of highlighting the ephemeral nature of art in all its forms and iteration. “It’s witnessing art at the moment, comparable to watching a live concert versus seeing it on television,” she describes. Several creative limbs will make up the event, opening avenues for artists to explore, discover, and collaborate. “Inspired by my dad’s (pillar of Philippine modern art, Justin Nuyda) experience as an artist, IMMERSIVE ART was intended as a space for collaboration and dialogue.” BATTLE OF THE BRUSH: A Closer Look Into The Creative Process Of Artists A pioneering concept born out of a collaboration between Kevan Seng (Capulet Art) and renowned Canadian artist Raymond Chow, BATTLE OF THE BRUSH is a live painting competition that allows audiences to witness the creative process of artists. It has brought some of Vancouver's most exciting artists together through a shared passion for collaboration and artistic excellence. This year, the competition, which culminates with the audience voting for their favorite artworks, will shed new light on the creative process that’s distinct to the Philippine art scene. Co-founders Kevan Seng and Jwon Suh will be gracing the Philippines with their presence to show their support, marking a significant moment for the competition's international journey. As one of the key features of IMMERSIVE ART by Search Mindscape Foundation, the first edition of BATTLE OF THE BRUSH in the Philippines will unveil best-in-class pairings of contemporary artists. Each pair will create a work of art based on the theme, Of Echoes and Currents. Artists participating in Battle of the Brush include: Ayni recalls, “I came across BATTLE OF THE BRUSH in Vancouver in 2013. It was such a fun experience set in a winery. I wanted to bring that experience to the Philippines. Our roster of artists for the inaugural competition in the country will set the bar for future iterations.” In Vancouver, BATTLE OF THE BRUSH has extended its presence beyond the competition’s stage, adding a creative layer to events like weddings, corporate team-building exercises, and other milestone celebrations. The brand has also etched its place in Beijing’s dynamic art scene. DIGITAL ART PROJECTIONS: Portals To The Underwater Universe Digital art projections will envelope the entire events hall of Green Sun, transporting guests into realms that underscore the message behind Of Echoes and Currents. Ayni adds, “The digital art display pushes perceptual boundaries, blending technology with nature to create immersive experiences. These works prompt viewers to reconsider their relationship with our waters, using various techniques to depict elements in ways that are both conceptual and evocative.” In bringing together a diverse, dynamic and well rounded roster of digital artists, SearchMindscape enlisted the expertise of Ren Aguila. Digital artists whose works will be showcased during IMMERSIVE ART by Search Mindscape Foundation include: LIVE MUSICAL PERFORMANCES: Sounds of the Sea and Tidal Waves Curated by Nick Lazaro, aural scoring and live music will accompany the various digital art projections surrounding the venue. Through the evening, local artists across musical genres will take center stage as a creative response to the various digital artworks on display. “Live music performances introduce an auditory dimension to the exhibit, drawing inspiration from the rhythmic patterns and sounds of the seas,” Ayni elaborates. “Compositions are inspired by the gentle lapping of the waves, the distant calls of marine creatures, and the powerful surge of tides, creating an acoustic landscape that deepens the emotional impact of the visual art.” Musical artists featured during IMMERSIVE ART by Search Mindscape Foundation include: SCULPTURE AND MOVEMENT: Intuitive Art In Motion IMMERSIVE ART by Search Mindscape Foundation will also feature the intricate crochet work of contemporary artist, Aze Ong. Best known as Queen , her wearable sculptures were first worn by her around the time of quarantine in the midst of COVID-19. Every morning, Aze would perform atop the roof of her home wearing the Queen. The performance was recorded and published on social media. This convergence between sculpture and performance art inspires audiences to reconsider the permanent and immovable qualities of monuments typically done using metals or stone. “There are four Queens in total, and for the first time in IMMERSIVE ART these moving sculptures will be stationary and shown together in one space,” details Ayni. Somatic therapist, movement artist and embodiment facilitator, Chloe Chotrani will animate the crochet sculptures during the one-night only creative festival. “Intuitive movements and meditative sufi dance will bring the sculpture to life.” UNDERWATER PHOTOGRAPHY: Echoes of Life Beneath The Waves In her work with the Search Mindscape Foundation and as a curator, Ayni has always been predisposed to exploring the less traveled paths of fine art. She observes, “Photography has a limited platform in the gallery space. There are only a handful of galleries that place photography as fine art.” During IMMERSIVE ART by SearchMindscape Foundation, an exhibit of photographs taken underwater and on the surface will be mounted on the lobby of the Green Sun Hotel, nearby the registration area. “Usually, we only see the work of underwater photographers in Nat Geo type of platforms,” she points out. In curating this collection of photographs, Ayni was keen on creating an audience journey that would prompt the senses and set the tone for IMMERSIVE ART. “It’s a prelude to all the experiences that await on the main floor,” the curator, project director and founder says. Photographers on exhibit at IMMERSIVE ART by Search Mindscape Foundation are: A resonant message that honors the beauty, boundless power and fragility of our oceans tie together the various limbs that make up IMMERSIVE ART by Search Mindscape Foundation. From the live painting to music, digital projections, and photography, Ayni emphasizes, “Everything is related to the ocean or water. In all aspects of the event we bring together the emerging and seasoned artists. It’s all about curation.” Of Echoes and Currents , the event’s theme, brings to the surface the complex relationship of the marine world and humankind, as told through the lens of visual arts, performance arts, photography, digital art, and installation art. Ayni closes: “It weaves together stories that highlight both the strength and vulnerability of our oceans. It takes the audience on a journey through diverse artistic mediums, which transforms the space into a metaphor for fluidity and chaos, illustrating how water–and in this case, art–binds us together...In this exhibit, the echoes of the past and the currents of the present converge, fostering a dialogue that celebrates the ocean and encourages the viewers to reflect on society’s integral role in both the eco system and the arts. ” IMMERSIVE ART: Of Echoes and Currents by SearchMindscape Foundation will happen on October 26, Saturday at the Green Sun Hotel, Chino Roces Ave., Makati. Gates open at 4PM. For more information and tickets, visit < https://immersiveart.helixpay.ph/ >

Filipino indie band One Click Straight is back with their latest single, "Siga," a lively track that offers a fresh take on themes of resilience and camaraderie. The song is accompanied by fast-paced visuals and high-energy performances. Following their 2023 self-titled album, the band shows no signs of slowing down, and "Siga" is just the beginning of what's in store for fans as they prepare to release even more new music. Reflecting on the band's journey, drummer Tim Marquez shared his thoughts on putting out new music: "After putting out the album last year, we knew our writing juices didn’t run out and we still had a lot to say. ‘Siga’ was one of those songs, and I’m glad we finally released it. It is always fulfilling to put out new music." While "Siga" is portrayed as lively, its message runs deeper, inspired by everyday life struggles. Tim explains, “Sometimes you feel like the world is against you. Everything’s falling apart, and nothing’s going your way, but all you can do is laugh. I just wanted to write something funny, vibrant, and quirky—like being stuck in classic Manila traffic and needing to pee. It’s the perfect soundtrack for that.” He added a message of hope: “I hope anyone who listens can just vibe out and feel like they’re not alone. Life may be hard, but it gets easier when you’re with your friends.” Fan Reactions and Live Performances of “Siga” The band recently played "Siga" live during their tour stops at "Dining Hall, Q.C." and "Calle Uno, Baguio" on September 13–14, 2024, receiving an overwhelmingly positive fan response. Sam Marquez, the band's lead vocalist, describes the energy of performing the song live: “The response for ‘Siga’ live has been crazy. Seeing the crowd go nuts during the extended outro will never get old, and the sound of all the voices singing the chorus together is infectious.” Tim adds, "There's nothing better than being in a place where everyone understands each other. Shows have this amazing communal energy, and 'Siga' amplifies it to another level." Behind-the-Scenes of the "Siga" Music Video The production of the "Siga" music video came with its challenges. Tim recalls one particularly intense scene during filming. "The funny thing about the 'Siga' music video shoot is that we didn't anticipate the level of physicality and intensity required," he explains. "I remember a scene where I was upside down—it looked easy and harmless on paper, but it turned out to be one of the scariest things I've ever done for a shoot. Most of the scenes seemed fun in concept, but once we started filming, the fatigue and muscle pain were intense," he adds with a laugh. What’s Next for One Click Straight? With the release of "Siga," One Click Straight is gearing up for more new music and more live shows. Although there is no set date for future releases, Sam teases that the band has been hard at work. “We’ve been cooking, and a lot of new tunes are on the way. We have no concrete plan on when the next releases will be, but we’re excited.” Fans can expect the band to continue delivering relatable, energetic tracks that capture the essence of everyday struggles and joys. The excitement surrounding their next steps is building, and fans won’t have to wait long for more exciting updates from the band. Listen to “Siga”, out now on all music streaming platforms: https://OneClickStraight.lnk. to/SIGA Watch the official music video of “Siga”, out now on YouTube: https://www.youtube.com/watch? v=HbourCXZT0U Follow One Click Straight on his social media accounts to stay updated on his future releases: https://OneClickStraight.lnk. to/SocialMediaChannels

To celebrate the milestone 80th year of Maritess M. Pineda, ART HOUSE  will mount a retrospective show that captures eight decades of patronage for Philippine art and design. From October 24 to 27 at the Southcourt  of the Power Plant Mall, Terno: Celebrating a Legacy Forged from Design and Art will bring together 8 contemporary artists as they reflect and respond to 8 masterful designs that have marked milestones in the life of a patron. “It felt more meaningful and purposeful to come up with an exhibit than to throw another party,” reflects the patron, co-founder for ArteFino and Friends of Manansala Foundation. Maritess is also a Board of Director of ART HOUSE, “It was important to have an activity that would tell the story of Philippine art, heritage, and design,” she says. “We were also thinking of something that could evolve in the coming years, maybe into a book or a larger exhibit.” TERNO: A Pairing, A Symbol of Philippine Identity The concept of Terno  was hatched after poring over Maritess’s extensive archive of gowns by masters of Philippine fashion. Couture creations by Ramon Valera, Steve de Leon, and Patis Tesoro served as key inspiration for mounting an art show, showcasing the use of heritage fabrics. Contemporary reimaginings of the national dress by BAYO Atelier, Len Cabili, Jor-El Espina, Rajo Laurel, and Cora Manimbo were also chosen to represent a creative revolution in everyday Philippine wear. “These gowns or dresses were also chosen because they were a part of my life’s milestones,” adds Maritess.  Design pieces were then paired with contemporary artists from ART HOUSE’s roster.These include 0270501, Enon de Belen, Alvaro Jimenez, Ronna Manansala, Anina Rubio, and Melissa Yeung-Yap. Patis Tesoro and Jo Ann Bitagcol were also invited to partake of the creative exercise. Their works as both artist and designer are renowned for their distinctive use of heritage fabrics. For Terno , Patis will showcase never-before-seen studies of her artwork, all done on local fabrics. Jo Ann will apply her signature photoprints on fabrics as a response to Len Cabili’s intricately embroidered dresses Ramon Valera gown that Maritess Pineda wore on her debut by Ronna Manansala and a photography piece by Jo Ann Bitagcol Steve de Leon archival piece  ART HOUSE Founder Carlo Pineda explains, “My mom has always been a supporter of Philippine fashion and art. Her journey as a patron of both presented us with a beautiful proposition to blend fashion and art in one space.” Terno  honors the national dress as a fundamental part of Philippine identity. But more than that, it also endeavors to tell the story of Philippine creativity and its ecosystem through a new lens.  Carlo details that: “The concept aligns with ART HOUSE’s  ethos for showcasing local talent, culture and heritage. It also zooms in on materiality, which is the use of heritage fabric.” In Terno , indigenous weaves like abaca, Sinamay, upcycled fabrics, cajas, T’nalak, Inabel, Binakol, pina, and banana fibers serve as the canvas for both the designer and artist. “The show inspires the audience to regard our very own heritage fabrics through the eyes of two different disciplines, and in different eras,” says Carlo. On of the differentiating attributes of the show is that it  presents Philippine weaves as the canvas for enduring fashion creations and contemporary art works.  Sincere advocacy also underscores the narrative behind Terno . In her eight decades of patronage, Maritess has forged lasting friendships with artists and designers alike. “Every piece of art or gown in my collection has a personal story to tell,” says the patroness. “Collecting was never about just acquiring pieces or investing. It was always something very personal and meaningful. Something that was part of everyday life, something that I also share and impart with family.” By highlighting the patron’s journey in Philippine and art,  Terno endeavors to bring forth the heartwarming stories behind pieces, reshaping the considerations that make a work of art truly valuable. Carlo emphasizes, Alvaro Jimenez, Carlo Pineda, Cora Manimbo, Patis Tesoro, Peching Gomez, Maritess Pineda, Anna Lagoon, Patty Pineda, Steve de Leon In her curatorial notes for Terno , Marika Constantino writes:  “When the term terno  is used, it can loosely refer to a formal attire or by definition: a pairing, matching of items, to make suitable, or to fit. These are the underpinnings of this exhibition. This effort also takes into account Ms. Marites Pineda’s significant role in advocating for our local culture, with a focus on textiles, fabrics,and crafts; a cause that has fueled her eight decades of spirited and purposeful engagement. Len Cabili; Cora Manimbo; Alvaro Jimenez; Patis Tesoro; Ronna Manansala with Maritess Pineda; Steve de Leon with Maritess Pineda Terno is an exhibition that presents various renditions of weaves and materials. Taking inspiration and motivation from the garments from Ms. Pineda’s collection, each artist will respond and reflect on a specific piece of clothing. Whether it’s the color, pattern, flow, drapery or construction, these gowns will be sources of stimulation to induce meditative or contemplative contemporary art works. As this group of intergenerational artists showcase their mixed-media works, we are also able to forward our fertile, creative, and resilient past. More importantly, the collection gives light and contributes to a diverse and highly sustainable legacy for future generations of Filipinos to build upon.” Carlo emphasizes that a spirit for collaboration between artists, designers, patron, and audience make up the unique ecosystem that ARTHOUSE  celebrates. For Terno , more specifically, “We explored new ways of bringing fashion and the arts together under one platform. We would like to start engaging artists and designers in an exchange and creative interaction.” He discloses that eventually, the exhibit could serve as a take off point for future shows or programs that merge fashion with fine arts.  Maritess M. Pineda, patron, arts and culture advocate, and co-founder of ArteFino concludes: “Terno is inspiration for ARTHOUSE  to now look into showing how art and fashion can evolve hand in hand. Both can adapt to the direction and the needs of the times. They can adapt while taking into consideration the need to address the climate change crisis. They can do all of this while keeping in mind that perservation of heritage is key.”  Terno: Celebrating a Legacy Forged from Design and Art will happen from October 24 to 27 at the Southcourt, Powerplant Mall. The exhibit will move to the ART HOUSE Gallery at JMP Bldg Jose Cruz Street Brgy Ugong Pasig City. For more information, follow ART HOUSE @thearthouse_

Cebu’s premier thrift community, "Ukay Ta Bai!" traces its roots back to a group of vintage shirt sellers around 2018–2019. At the time, they had a vision to organize thrift events but hesitated, sensing Cebu might not yet be ready for such a venture. "We didn’t want to get bashed!" they recall with a laugh. The pandemic soon followed, and they found relief in having postponed their plans. During that period, thrift events in Manila were also gaining attention, but not quite reaching their full potential. Flash forward, and Manila now boasts over 20 regular thrift event organizers drawing thousands of attendees weekly. This explosive growth inspired the founders of "Ukay Ta Bai!" to take action. For them, thrifting was life-changing. One founder, Gerard Cosicol of Vintageyubec.com , started selling clothes and caps on Instagram for just Php 50–Php 500. Today, some of his vintage band tees range from Php200 to Php2,000, gaining international recognition in the U.S., Japan, Thailand, and Indonesia. Fellow co-founder Rizzan Murillo similarly rose from selling thrifted clothes to opening the only vintage clothing shop in Cebu, Y2kvintage. Driven by their passion and the sense of a fragmented thrift scene in Cebu, the founders launched "Ukay Ta Bai!" Now, thrift sellers in Cebu have direct access to buyers, and the community has grown stronger and more connected. Building a Community Since its inception, the Cebuano community has warmly embraced "Ukay Ta Bai!" One of the most memorable moments for the founders came during their first event at Unity Coffee and Vinyl. Expecting a modest turnout of 150–300 people, they were shocked to see lines stretching out the door all day long. This overwhelming response pushed them to dream bigger, and just months later, they hosted a massive event at IT Park, attracting 27,000 attendees. Their most recent triumph was hosting Cebu’s first-ever flea market at an SM Mall, marking a historic moment for both the community and the venue. The success of these events has been so profound that even venues have continued hosting their own markets after Ukay Ta Bai’s events, solidifying thrifting as more than just a revolutionary practice—it’s now a trend. The Resurgence of Thrift Culture Thrift culture has made a huge comeback, especially among younger generations. The team behind "Ukay Ta Bai!" attributes this renewed interest to people becoming more educated about thrift fashion and its sustainability benefits. "Gone are the days when ukay was seen as low or 'pangit,'" they explain. Today’s consumers are smarter, seeking unique, high-quality pieces at affordable prices. With international luxury brands like Louis Vuitton, Prada, and Gucci entering Cebu’s market, it’s clear that the city’s purchasing power is on the rise. However, "Ukay Ta Bai!" offers an alternative for those looking to score these high-end brands for less at their curated thrift events—items that are authenticated and in great condition. Sustainability and Thrifting "Ukay Ta Bai!" takes its responsibility toward sustainability seriously. As a flea market organization, they advocate for mindful consumption and raise awareness about the environmental impacts of fast fashion. To stay true to their mission, they have strict guidelines for their vendors—no fast fashion, no overruns, and no fake or counterfeit products. They also regularly post content encouraging people to shift to thrift shopping, driving home the importance of sustainability in fashion. Curating Thrift Events Planning a successful thrift event takes dedication, and for "Ukay Ta Bai!", it all starts with the vendors. Many of their vendors have decades of experience in the thrift industry, making them some of the best in Cebu and the Visayas region. The founders themselves are experts in vintage fashion, ensuring that only the highest-quality pieces are featured at their events. “Quality over location” is their mantra, as they continue to build a community based on trust and authenticity. Challenges in the Thrift Business As with any business, "Ukay Ta Bai!" has faced challenges along the way. One of their biggest hurdles has been balancing inclusivity with authenticity. With over 700 vendor applications in their database, they’ve had to be selective, approving just over 100 vendors to maintain the integrity of their events. "Flea market" is often confused with "bazaar" these days, but the founders are committed to preserving the authenticity of their market by ensuring that 80%–90% of the items sold are truly thrifted. Despite the challenges, the founders remain focused on community over profit. Ukay Ta Bai has become an outlet for their creativity and a way to give back to the local thrift scene. Collaborating with Local Creatives "Ukay Ta Bai!" isn’t just about clothes; it’s about fostering local creativity. Their events often feature live DJs, upcycling workshops, and even quiz nights where attendees can win shopping credits. These activations have helped them expand their reach and merge different creative communities in Cebu. Cebu's Unique Thrift Culture Cebuano thrift culture is distinct from other regions in the Philippines. Cebuanos aren’t brand-conscious—they care more about how a piece fits their personal style, regardless of its label. This mindset has helped shape the identity of "Ukay Ta Bai!" and set it apart from other flea markets popping up around the city. Their careful branding and months of planning have created a recognizable identity that resonates with both vendors and shoppers. To engage Gen Z and Millennials, "Ukay Ta Bai!" tailors its branding and marketing strategies to appeal to these demographics. From curated content calendars to seasonal themes and event posters, every detail undergoes a rigorous creative process. The result is a vibrant, fun brand that connects with young thrift enthusiasts. Looking ahead, "Ukay Ta Bai!" has exciting plans for the future. Bigger events are on the horizon, with special gatherings in Cebu set for November and December. The team is also expanding to other parts of the Vis-Min region, including Iloilo and Mindanao. The goal? Spread good finds and good vibes across the Philippines. "Ukay Ta Bai!" continues to revolutionize Cebu’s thrift scene, one event at a time, while staying true to their mission of sustainability, authenticity, and community. https://www.instagram.com/ukaytabai.official/

Cebu Young Designers Competition 2025 Officially Launched at SM Seaside Cebu in Partnership with Orochina Jewelry, Clothes for Life Foundation, and Cebu’s Top Designers Cebu City, Philippines - September 22, 2024 – The highly anticipated Cebu Young Designers Competition (CYDC) 2025 was officially launched today at a grand event held at SM Seaside Cebu, marking the beginning of a new chapter in Cebu’s dynamic fashion scene. In collaboration with Orochina Jewelry, the Clothes for Life Foundation, and Cebu’s top fashion designers, the CYDC 2025 aims to showcase the immense talent of Cebu’s emerging designers and provide them with platforms to launch their creative careers. The CYDC 2025 competition seeks to discover and nurture the next generation of fashion designers in Cebu, a city known for its rich cultural heritage and vibrant design community. The competition will challenge young, aspiring designers to push the boundaries of innovation, style, and sustainability in fashion, offering them the opportunity to gain exposure, mentorship, and career advancement. Orochina Jewelry, renowned for its exquisite craftsmanship, has partnered with the competition to add a sparkle of luxury to the event. As a key supporter, Orochina will provide contestants support and encourage them to incorporate their fashion creations highlighting Cebuano artistry in both fashion and accessories. Clothes for Life Foundation, a non-profit dedicated to empowering communities through charitable initiatives, will bring its influence to the competition by supporting contestants from underprivileged backgrounds, ensuring equal opportunities for all aspiring designers. The foundation’s participation emphasizes the competition’s goal to blend creativity with social responsibility. Adding further prestige to the event is the involvement of Cebu’s top designers, who will not only serve as mentors and judges for the competition but also play a pivotal role in fostering new talent. Esteemed designers from Cebu’s fashion industry, will guide the participants through the process of designing, creating, and presenting their collection. Event Highlights: -A glamorous fashion showcase featuring the latest designs from Cebu’s top fashion icons and past winners of Cebu Young Designers Competition in previous years. -The announcement of the CYDC 2025 competition format, which includes several stages of mentorship, design challenges, and a grand finale runway show. -An interactive panel discussion with industry leaders on the future of fashion in Cebu and how initiatives like CYDC 2025 are integral to nurturing homegrown talent. Clothes for Life President Philipp Piezas Tampus, Advisory Board  Cary Santiago , Project Chairperson Mrs. Hope Villoria and the organizer of the competition, expressed excitement about this year’s launch: “Cebu has always been at the heart of Filipino fashion, and with the CYDC 2025, we aim to provide young designers with a unique platform to showcase their talents. By collaborating with Orochina Jewelry, Clothes for Life Foundation, and Cebu’s top designers, we are creating an environment where creativity, sustainability, and social impact thrive.” The Cebu Young Designers Competition 2025 promises to be an inspiring journey for participants, offering the chance to gain mentorship from the industry’s best, showcase their designs on a major platform, and potentially make their mark on the global fashion scene. For more details on the CYDC 2025 competition, including how to participate, follow us on Facebook: Cebu Young Designers Competition and Instagram: @cebuydc or submit your application here https://forms.gle/3m6VxCbQNiw9yman6 And be trained by the incredible mentors who will guide the contestants’ every step of the way in the Cebu Young Designers Competition. Their expertise and passion will help the contestants unlock their creative potential and elevate their designs. Facebook: https://www.facebook.com/profile.php?id=61565034940384

Tattoo artistry is a unique blend of creativity and precision, and few understand this as deeply as Cebu-born artist Sebastian Salvador Valenzuela. From a background in graphics and design to becoming a rising name in the local tattoo scene, Sebastian's journey is one of passion, perseverance, and personal growth. In this exclusive BLNC Magazine interview, we dive into his world of ink, exploring the intricacies of his craft, his artistic inspirations, and how he’s shaping the future of tattoo culture in Cebu. Sebastian, can you tell us about your journey into the world of tattooing? What inspired you to become a tattoo artist?    Hi! My Name is Sebastian Salvador J. Valenzuela, I was born in Cebu and spent my whole life here in Cebu. I studied Graphics and Design, I love to make illustrations, make portraits and I also paint using acrylics. My uncle gave me a tattoo machine and he told me I should try it and ever since I got my hand on that machine, I fell in love with it. I started to tattoo my lower left arm just to practise and yeah, it’s fun and it’s something I wanna do as my career.   How would you describe your signature style? Are there any particular themes or symbols that often recur in your work?  My style is black and grey, I love how simple and clean it is. I love this style because for me its lasts longer and it ages like fine wine. As of now, Im still building up my style but I really like skulls, medieval and animals. Cebu has a rich cultural heritage. How does the local culture influence your tattoo designs, if at all? My tattoos lean more on the modern style and I also like to do some mediaeval stuff. Cebuano tattoos have certain patterns, it is quite similar to Polynesian tattoos. I did some tribal tattoos but it is not really my style, I respect the cultural heritage and I’m proud that our ancestors have tattoos. Now, it evolved as a form of art to express and to be true to ourselves. Tattooing is both an art and a craft. How do you balance creativity with technical precision in your work?    Ever since, I practised sketching and painting and it really helped me get better in tattooing. I always listen to my client’s requests and I always suggest better designs but still keeping intact the whole idea they have. Everything I learned from graphics and design really gave me a jumpstart for my career in tattooing, it gave me confidence to do better. Every tattoo artist has a memorable experience with a client. Could you share one of your most meaningful or unique experiences?  There’s this one client we talked a lot on our session, we shared similar interests in arts and games. She came back for more tattoos with her friends. We talked and chatted a lot. I took her out on a date, we shared same feelings. She supports me 100% and helped me grow in my career. She made me better in what I do and I will always be grateful to her. Without her I will never have all this. She gave me reason to be better and to work hard. Her presence gave me inspiration in my career and life.   Tattoo trends come and go. How do you stay true to your artistic vision while adapting to evolving trends in the industry?   To be honest there are some cool trends in tattooing and some that are not. I always suggest better ideas to my clients, the pros and cons to every trend. If they show me this design and I suggest to add my own kind of shading and highlights, this is how I stay true to my vision and to my style in tattooing. I persuade them to have something that will really look good for the long run not just for the sake of hopping on to the latest trend.  What's the most challenging design you've ever worked on, and how did you approach it?  For me the most challenging tattoos I’ve done are portraits. One single mistake can change the whole personality of the face. It is easy to draw portraits on paper but in tattooing you have to be very careful in every move, not to add shade too much and also keeping the whole proportion intact. My approach is to work slowly and build slowly the values while keeping eye on the proportions. Many people view tattoos as deeply personal expressions. How do you approach the process of understanding and translating your clients' ideas into artwork?   I talk to my clients and listen to everything they say. Some clients have designs that hold much story and life experience. We discuss our designs and edit them on the spot. I ask for their feedback and adjust to whatever they want. I also give my artistic suggestions. It is always a collaborative experience for me and my client. In terms  of skill-building, how do you continue to grow as an artist? Are there any specific techniques or styles you're currently exploring? I always watch videos about tattooing and asking tips and tricks from my mentor. He taught me a lot through the years and was always grateful. I always analyse and study the tattoos I’ve done, looking for the good parts and the parts that need improvement. Every session is a lesson for me to my strengths and weaknesses.   Cebu is known for its artistic community. How do you see the tattoo culture evolving in the city, and what role do you hope to play in its future? The Tattoo culture is going very well, more people are accepting tattoos and being open minded about it. Also a lot of aspiring artists nowadays. It feels good that more people are into arts and some people want to learn it. It is a slow process but it is very satisfying once you get the hang of it. In this field of career, I know I'm too young to the industry and I'm just a “new gen” but if ever some artists are inspired to do more and be better because of my videos, I think that is enough for me. What advice would you give to aspiring tattoo artists who want to break into the industry?   My best advice is to be true to yourself, surround yourself with people who will truly support you. Once you have that, everything will go along, you will have more reasons to focus on your goal. Learn the basic fundamentals of Art. One step at a time, this is not a race. Make each experience a lesson to ponder, look for your mistakes and where you did good. Finally, what's next for you? Any upcoming projects or collaborations that you're excited about?  More bigger pieces, more lessons to learn. To appreciate art in all forms. I know I have a long way to go but I'm looking forward to being better at tattooing, hopefully becoming one of the legends someday.

LLAMANZARES BARONGS , a menswear label showcasing the fine needlepoint work of Lumban’s artisans, recently made its global premiere at the FILIPINXT FASHION SHOW during New York Fashion Week. Last September 7, the artisanal brand showcased its first capsule collection of contemporary barongs at the Annex 417 on Fifth Avenue in New York City. LLMANZARES BARONGS presented the Classic Luna and Bonifacio barong tagalogs from its inaugural collection, along with two runway pieces crafted exclusively for New York Fashion Week. The runway pieces reimagined the classic Safari jacket, utilizing the finest piña fabrics from Aklan and the brand’s signature callado details. These special designs were testaments to the brand’s commitment to bringing time-honored traditions of craft to modern wardrobes. "We're thrilled to have debuted LLAMANZARES BARONGS on a global stage at this year’s New York Fashion Week,” enthused founder Brian Poe Llamanzares. “ FILIPINXT has done an outstanding job of highlighting Filipino talent, and we are honored to have been part of this incredible showcase. Being included alongside other remarkable Philippine homegrown brands is inspiration for our team. This global debut is our homage to Lumban and the artisans who have poured their hearts into every piece. Every barong that was sent down the runway of New York Fashion Week is a celebration of their craft and artistry.” About Llamanzares Barongs LLAMANZARES BARONGS is an emerging Filipino menswear label dedicated to creating elevated barong tagalogs. Every piece created by the brand is a celebration of the rich traditions of Lumban, Laguna, also known as the “Embroidery Capital of the Philippines.” Meticulously embroidered barongs from the brand honor the storied past and promising future of the region, bringing its intricate needlepoint work to the forefront of contemporary fashion. Founder Brian Poe Llamanzares envisioned LLAMANZARES BARONGS as a retail menswear brand dedicated to bringing traditions of craft to the contemporary art of dressing. Inspired by his deep roots in Lumban, the brand is a personal tribute to his paternal lineage and the storied past of his hometown. LLAMANZARES BARONGS is intentional about collaborating with local artisans, ensuring that Lumban’s embroidery techniques are celebrated, preserved, and passed down to future generations. Generations of Artisans The brand's principal embroiderer, Miss Rose, is a third-generation artisan from Lumban. Her dedication to the craft is unwavering, having learned the fine art of embroidery at a young age under her mother’s expert guidance. Today, she continues to pass down her skills and knowledge to the next generation, including her son Alex. He works closely with LLAMANZARES BARONGS as the designer for embroidery patterns. Handwoven piña fabrics, all ethically sourced from Aklan, serve as the canvas for Miss Rose’s intricate needlework or callado . These embroidered fabrics are then brought to our expert tailors in Manila. It can take up to 30 days for a barong to be made, from sourcing down to tailoring. This commitment to craft and uncompromising attention to detail elevates and distinguishes LLAMANZARES BARONGS . In The Company Of Global Filipino Brands Founded in 2023 in New York City by fashion designer Bessie Besana and Filipino-American entrepreneur Rob Mallari-D’Auria, FILIPINXT has swiftly emerged as a trailblazing platform that elevates the artistry and craftsmanship of Filipino designers on the international stage. On September 7, 2024, at the Annex 417 on 5th Avenue, FILIPINXT presented its second show during New York Fashion Week, marking a milestone in its journey of celebrating Filipino talent. The runway featured stunning collections from acclaimed Philippine designers Chynna Mamawal, Andrea Tetangco, and Adrienne Charuel of Maison Métisse. Further enriching the showcase was FILIPINXT’s Capsule Collection show, which featured standout pieces from LLAMANZARES BARONGS , Gabby Garcia of Tagpi, Wilson Limon of NiñoFranco, and Besana Basina himself. Guests were treated to an exclusive trunk show before and after the runway, oaering a rare opportunity to acquire select garments from the featured designers. The event attracted notable Filipino figures, including Miss Universe 2015 Pia Wurtzbach Jauncey, R’Bonney Nola, and Marizza Delgado, adding a touch of star power to an already illustrious evening. This year’s show held deeper significance due to FILIPINXT’s partnership with FPJ PANDAY BAYANIHAN , a foundation chaired by LLAMANZARES BARONGS founder Brian Poe Llamanzares. As an oaicial partner, the foundation reinforced the shared mission of uplifting Filipino talent, promoting local craftsmanship, and creating sustainable opportunities for artisans. The collaboration underscored an inspiring message: Filipino creativity, culture, and tradition not only deserve global recognition but are integral to shaping the future of fashion. Brian Poe Llamanzares reflects, “We couldn’t have come up with a better way to launch the brand, during New York Fashion Week and alongside global Filipino brands. As a young retail label specializing in menswear, LLAMANZARES BARONGS was established as a platform for our artisans, weavers, and tailors to explore how they can take the barong tagalog forward.”