Daryl isn’t done. In a multi-disciplinary practice that has spanned such fields as illustration, video-making, and installation, Daryl Feril has countless more universes to explore. And to excel at. Not content with wowing global clients such as The David Lynch Foundation, the DFS Group, Heineken, Hilton, Jo Malone, Singapore Airlines, Tory Burch and Walt Disney with his design and illustration prowess, Daryl has instead focused on bettering himself. He has plugged away at his craft, testing new boundaries, and mastering yet even more skills. Witness, for example, his latest foray into painting, an avenue for expression he has sometimes neglected in favor of more lucrative gigs. A product of Bacolod, that city with an inexhaustible supply of fantastic talents, Daryl has recently been kept busy adding “entrepreneur” to his multi-hyphenate existence. Last year, Daryl launched his merch space WEREVER at the Orange District (together with partner and fellow artist Faye Abantao), and there just hasn’t been enough time for the making of art. To start his painterly year, therefore, Daryl joins a select four-artist show at gallery. sort of.’s March exhibition titled “Bed, Bath & Hubad.”  Revelation awaits. Stamping his mark amongst an already superior cast comprised of exciting artists Bea Dolloso, Kurt Manzano, and Nathan Esguerra, Daryl demonstrates sharp compositional and coloring skills to convey hallucinatory snapshots of sensory stimulation. For this show, Daryl contributes half a dozen paintings of raw visual narratives zoomed in on specific points of view, isolating frames that glimmer and gutter with more than just traces of eroticism. Second Skin, 24 x 24, 2025 No One Waits, 24 x 24, 2025 They’re moody and broody. Canvasses of almost garish, neon-infused palettes, potentially visually repellent and yet - not.  Daryl successfully accomplishes the trick of compelling the viewer to keep looking at a split-second exposure in front of him. And looking. And ultimately, falling. A cluttered sink that invites a peek into separate mirrors, look-sees that might, and does, provide a peeping tom some satisfaction.  Bare feet poised to join a secret lover indolently waiting in a bathtub. A metrosexual in repose, exhausted from a day’s work. Daryl’s trippy palate is an ultraviolet floodlight into the bath. Stray, 12 x 12, 2025 And yet, are these really bath scenes?  What is a rooster doing stalking amidst feet encased in socks?  And yes, why is that rooster between feet now suddenly bare? Daryl’s personal favorite is Second Skin, a 24x24 inch depiction of a muscular torso encased in black sexy lingerie.  A nod towards transvestitism?  A tribute to a cross-dresser?  Daryl says this piece set the tone for the entire series, although we do not see any sign of any cross-dresser in his other canvasses.  Unless? What The Other Sees, 24 x 18, 2025 Where the Wild Rests, 24 x 18, 2025 We are lured into Daryl’s lurid lair.  And how willing the victims that we are. How privileged we are to glimpse this mini-collection from Daryl’s paintbrushes.  Much like other digital natives, Daryl is yet another world-class talent hiding within the comforts of a small island.  With imagery as rich and as triggering as these, however, it won’t be long before Daryl Feril will be invited into the privacy of our households. And perhaps, even somewhere more intimate within. ….. Bed, Bath & Hubad opens on March 9, 2025 at gallery. sort of., located at 37 Camaro St., Fairview Park, Quezon City.  Doors open at 4:00 pm.

Quezon City, Philippines  – A day filled with real and reel love right just in time for Valentine's Day, the much-awaited romantic comedy of 2025 Everything About My Wife  had its official launch. The grand mediacon gave guests an exclusive walkthrough as the cast and producers shared how they navigated healing and repairing love—along with love and marriage—the film’s central themes. This romantic comedy, directed by Real S. Florido, highlights the powerhouse collaboration between award-winning and formidable film producers CreaZion Studios and GMA Pictures. The event was graced by its lead stars: Romantic Comedy Queen Jennylyn Mercado, MMFF50 Best Actor Dennis Trillo, and Rockoustic Heartthrob Sam Milby. Other cast members, including Ms. Carmi Martin, Polo Laurel, Alex Agustin, Joyang, Chico Alicaya, and Karlo Aranza were also in attendance. (L-R: Polo Laurel, Direk Real Florido, Ms. Carmi Martin, Dennis Trillo, Jennylyn Mercado, Alex Agustin, Sam Milby, CreaZion Studios’ CEO RJ San Agustin, Karlo Aranza, Joyang, and Chico Alicaya) During the press conference, award-winning director Real Florido shared his insights on why films like this should be available to everyone: “Mag-inspire and kumurot sa puso ng mga tao. I think yun yung role bakit tayo gumagawa ng mga pelikula. Yung yung importansya ng paggawa ng pelikula at pagkwento ng istorya na gustong makita ng mga manonood. And ang mga Filipino, we are suckers for love. Gustong-gusto natin yung kinikilig, umiiyak, at nasasaktan tayo with the main characters that we see in the big screen. Importante sa atin yan, di ba? Makiki-pagmeet tayo sa mga friends natin, mamaya pag uusapan yung crush niya, yung hino-hopia niya, or yung jino-jowa niya, or tine-third party niya.It ’s always part of any conversations. It makes us feel alive. So importante siya, in the same manner  na important lahat ng storya.” As a real-life married couple, Jennylyn and Dennis reflected on how their marital status influenced their performances, “Napaka-importante na gumawa ng isang kwento na universal para makarelate yung mga manonood. Kaya madali siya para sa artista na tulad kami na mag-asawa kami at yung role namin sa pelikula ay mag-asawa din. So kahit paano, alam na namin yung mga nangyayari talaga. ‘Yong beats ng mga mag-asawa  — kung paano sila magtalo, paano sila maging masaya, paano sila magkakaroon ng problema. So mas nakakatulong para sa amin,” shared by Dennis.  “Pamilyar na sa amin yung iba’t ibang mga eksena sa doon pelikula. Pero ang importante ay na-enjoy naming dalawa yung papaano namin ginagawa ang bawat eksena. Napakasarap katrabaho si Dennis,” Jennylyn added. Meanwhile, Sam shared his thoughts on his role, “Like Director Real sabi niya, yung mga roles mo nag shi-shine ka yung mga medyo masama.  Medyo evil but great character. But iba yung si Miguel.  Miguel is a casanova. And casanova is like a man with many lovers, a womanizer. So, it was a challenge for me. But I’m glad Direk was there to help me out. I was just trying to be out of my comfort zone.” During his welcome speech, CreaZion Studios Chief Creative Officer RJ Agustin highlights the importance of the collaboration between GMA Pictures and CreaZion Studios, “This monumental collaboration between two innovative production companies underscores why we do what we do. We want to be able to convey Filipino rom-com stories that are grounded and relatable.” Feb-ibig is truly in the air, and Everything About My Wife  delivers an extra dose of kilig  during its grand launch. Feel the love, feel the pain, even the hate, feel everything! Bring your loved ones, ka-situationships —even your single friends—and experience this rollercoaster of emotions when Everything About My Wife  hits all Philippine cinemas on February 26! For updates, follow CreaZion Studios on   Facebook,   X (Twitter),   Instagram,  and   TikTok  or visit   https://creazionstudios.com/   Everything About My Wife Synopsis Dom (Dennis Trillo) and Imo (Jennylyn Mercado) both started out as lovers but ended up married; however, after seven years, Dom finds himself unhappily married and wanting to escape.  In a moment of desperation, Dom seeks for help from a notorious womanizer, Miguel (Sam Milby), to seduce his wife. As Miguel and Imo grow closer, Dom realizes he has made the gravest mistake of his life when Miguel unexpectedly falls in love with Imo. Despite Miguel’s growing affection and friendship, Imo learns about the scheme and feels betrayed by her husband. Heartbroken, she decides to give Dom what he wants—an end to their marriage. Yet, as they part ways, their love becomes undeniable. Will Imo forgive Dom?

To kick off his milestone year this 2025, contemporary Philippine wear designer Jor-El Espina unveils a collection of costumes created for Ballet Philippines’ full length Filipiniana ballet, Ang Panaginip. Contemporary Philippine wear designer Jor-el Espina approaches his craft with equal parts discipline and artistry. In his two decades in the industry, he has managed to find that sweet spot where creativity and technique, form and function come together. As part of the celebrations to mark his 20th anniversary in 2025, Jor-el has immersed in a creative collaboration with Ballet Philippines, presenting a comprehensive collection of costumes for the full-length Filipiniana dance piece, Ang Panaginip . “Ballet resonates deeply with me as a designer, he begins. “It’s storytelling through movement,emotion, and music. The grace and precision of the ballet has inspired a pursuit of elegance and functionality in my creations.” CREATING FOR MOVEMENT AND MOTION Since breaking through the fashion space, Jor-el has worked towards mastering the art of stitching design narratives through fabric and design. In creating costumes for a ballet production, he found himself paying closer attention to movement and motion. He explains, “In ballet, the emphasis is on the lines, movements, and silhouettes. These are the same principles that are central to fashion design. In creating costumes for Ang Panaginip, I thought about how the garments would move and transform when in motion.” In this latest pairing with the country’s premiere dance company, the designer found himself infusing more flow and fluidity into his designs. Stage costumes demand strong visual expression. When it comes to ballet, freedom to move is just as crucial. “My main considerations were movement, comfort, and durability. Ballet costumes must withstand rigorous physicality while maintaining their visual appeal,” he says. In choosing materials for this collection, Jor-el gravitated towards light, handwoven Philippine fabrics sourced from around the region. Commercial fabrics were also utilized as reinforcements. While embellishments were applied for the purpose of enhancing the visual narratives on stage, they were executed with ease of movement in mind. Jor-el intimates, “It was incredibly rewarding to see how my designs became an extension of their performance.” DESIGNING THE DREAM It was by no coincidence that Jor-El’s latest creative collaboration with Ballet Philippines would come to life through that full length ballet, Ang Panaginip . “The title alone, which translates to ‘The Dream’ speaks to the boundless possibilities of this collaboration, ” he ponders. “BalletPhilippines’ legacy and dedication to excellence has elevated this partnership into something truly special. As a designer, creating for such a prestigious dance company feels like a milestone that marries my love for design and culture in a way I’ve always envisioned. ” Jor-el designed the costumes for all the characters in Ang Panaginip, bringing his contemporary Filipino sensibilities to the grand stage. Every piece on the show is a labor of love. It is also an embodiment of Philippine culture, values, and heritage. “I particularly enjoyed designing for the 12 princesses, ” the costume designer confesses. “Their roles demanded a unique blend of all-Filipino infused traditional costumes, theatricality, and grace. This allowed me to push creative boundaries. The interplay of colors and textures in their costumes made it both a design challenge and a personal favorite. ” Instead of prescribing to the usual Filipinian forms, shapes and patterns, Jor-el lent his signature play of textures, colorways, patterns, and layers to the costumes of Ang Panaginip. Although he infused his unique brand of youthfulness to the traditional dress for this production, Jor-el was extremely mindful about honoring traditions especially where weaves considered by indigenous tribes were concerned. “Many of the local fabrics used were collected over the span of 20 years as a designer. We combined various woven textiles with local patterns, beadwork, treatments and techniques. I was careful not to use sacred weaves and instead opted for local fabrics that can be utilized for everyday clothing or even home accessories. ” As a devout advocate of local craft, it was important for Jor-el that his creations pay tribute to cultural relevance and source. REYNA wears a Jor-El Espina ensemble inspired by Dugso Dance of Bukidnon. MATAPANG wears an Ifugao-reimagined ensemble by Jo…pina and accessories sourced from the Cordilleras. MATALINO wears a modern Maria Clara by Jor-El Espi…bric layered with pleated tapis and silk details. MASINING wears a Maranao-inspired top paired with …ong with songket bell sleeves top by Jor El Espina Inspired by the Cordillera region. A woven tunic with draped pants. ALWAYS WITH PURPOSE For Jor-el, the creative exercise involved in designing costumes for Ang Panaginip was a reminder that “it’s important to create pieces that not only look beautiful. They must also serve a purpose. ” The collaboration has also deepened the designer’s love for storytelling and movement through design. As it has always been with his bespoke and ready-to-wear garments, Jor-el’s pieces for Ang Panaginip were made with a clear purpose: to empower the wearer through function and beauty. As the finishing touches to the costumes of Ang Panaginip are applied, Jor-el hints that there are plans to bring elements of the ballet into his future collections. He elaborates and ends, “The costumes are rich in texture, drapery, and Filipino-inspired details that can translate beautifully into wearable fashion. I envision creating a ready-to-wear line that incorporates these elements, offering pieces that are theatrical yet suited for everyday life—a perfect bridge between stage and reality. ” For more information about Jor-el Espina and his designs, follow him on Instagram @jorel_espinaph. Ballet Philippines’ Ang Panaginip runs on February 28, March 1 and March 2 at the The Theatre at Solaire, Solaire Entertainment City. For tickets, log on to www.ballet.ph .

Get ready to be inspired by Pepe Diokno’s latest film, Isang Himala , which is all set to be the highlight of MMFF 2024! This amazing reimagining blends heartfelt storytelling with stunning visuals, exploring timeless themes like faith, humanity, and hope. It’s a film that connects generations of Filipino cinema lovers, offering a warm nod to the classics for longtime fans, while also welcoming newcomers into the exciting world of local films. We’ve even created a guide— 8 Reasons You Should See It Now—to show you why Isang Himala   is going to be the talk of the season. You definitely don’t want to miss out on this unforgettable cinematic experience!  Here’s why Isang Himala  by Pepe Diokno is a must-watch at MMFF 2024:    A Fresh Take:  Pepe Diokno gives this classic a whole new spin for today’s audience. It’s not just a retelling; it’s a revival of the themes that made the original so iconic, with a twist that feels relevant now.   Ricky Lee is Back: The original film’s legendary writer, Ricky Lee, is involved in this adaptation. That’s a guarantee that the story will stay true to its roots while adding some fresh insights.  Aicelle Santos Rocks:  Aicelle Santos stars as the heart of the film. Known for her powerful voice and captivating stage presence, she makes Elsa’s character come alive in a way that’s both fresh and unforgettable.   The Production Numbers are Divine:  Diokno’s version steps it up with stunning production numbers that add tons of emotion and excitement. These sequences mix music, dance, and storytelling to create unforgettable moments.   Incredible Sets:  The film’s detailed and immersive sets turn the town of Cupang into a character of its own. Every little detail pulls you deeper into the story and makes you feel like you’re  part of it.   Beautiful, Crispy, Visuals:  True to Pepe Diokno’s style, expect gorgeous cinematography that blends gritty realism with poetic visuals. It’s a visual treat that adds emotional depth to the story.   Relevant Themes:  This version dives into issues like social media sensationalism and modern exploitation, all while still tackling themes of faith and desperation. It’s a narrative that really connects with what people are feeling today.   A Big Deal at MMFF:  With its fresh updates, amazing cast, and cinematic flair, Isang Himala is set to be the highlight of this year’s festival. Catching it during MMFF 2024 means being part of the exciting evolution of Filipino cinema.  Isang Himala  isn't just another remake of a classic Filipino film. It's a powerful movie that really connects with today's audiences. The film blends Ricky Lee’s strong storytelling with Diokno’s fresh take on things. It keeps the heart of the original while diving into modern issues like social media, exploitation, and how our views on faith are changing.   Aicelle   Santos gives a standout performance, and the production is impressive with detailed sets and a talented cast. The whole experience is visually stunning and really moving. It's definitely shaping up to be a top contender for Best Picture at the MMFF 2024. Isang Himala   isn’t just entertaining; it also offers some deep thoughts on Filipino identity. Make sure to catch it on the big screen while you can– it’s going to be unforgettable!  Premiere Night photos: Meinard Navato Poster Design, Justin Besana

At the heart of Quezon City stands Limbaga 77 Cafe Restaurant , a culinary haven that has been delighting diners with classic and refined Filipino cuisine since 2014. Over the past ten years, it has evolved into more than just a casual dining spot. Limbaga 77 has stood the test of time, becoming the go-to establishment for cozy feasts, sentimental gatherings, and cherished celebrations. With its warm and inviting ambiance, the restaurant has welcomed families, friends, balikbayans, colleagues, and even solo diners craving the richness of familiar Filipino flavors passed down through generations. Unfazed by ever-changing public tastes and fleeting food trends, Limbaga 77 continues to capture the hearts of its patrons by offering a delightful menu of traditional local specialties. Guests are drawn to its flavorful Kare-Kare , comforting Sinigang na Salmon , tender Adobong Tadyang ng Baka , and satisfying Pancit Bihon . But what sets Limbaga 77 apart is its innovative twists on Filipino classics, all worth coming back for. Crowd favorites include the flavorful Stuffed Bulaklak ng Kalabasa , the refreshing Sinigang na Baka sa Pakwan , the rich and savory Baked Lechon Paksiw , and the hearty Stuffed Laing . To complete the dining experience, Limbaga 77 offers a selection of specially crafted desserts, perfect for any occasion. Their latest creation, the Buena Mango , is a creamy and fruity layered cake that has quickly become a favorite among dessert lovers. For those celebrating with larger groups, the restaurant also offers shareable portions and festive Buffet Sets featuring select signature dishes, making it ideal for banquets and special occasions. Baked Lechon Paksiw Buena Mango Stuffed Bulaklak ng Kalabasa As Limbaga 77 marks its 10th anniversary this December, it invites everyone to join in the celebration. Whether you're looking to relive fond memories, create new ones, or simply enjoy a hearty meal, Limbaga 77 is the place to be. Reserve a table or two and indulge in the rich, comforting flavors of home—an experience that has remained timeless for a decade. From left to right, clockwise: ● Danggin Rice ● Kare-Kare ● Lychee Grapes Shake ● Limbaga 77 Salad ● Prawns in Garlic Sauce Visit Limbaga 77 Cafe Restaurant at 77 Sct. Limbaga Street, Tomas Morato Avenue, Brgy. Laging Handa, Quezon City. For inquiries, contact: (02) 8374 35 09 & 0926 715 8134 orvia Facebook, Instagram, TikTok: @Limbaga77Restaurant.Official website: https://www.pino77foodscorp.com/limbaga/

Jor-El Espina Atelier Manila is more than just a space for shopping. It’s also a creative sanctuary for unique design collaborations, sharing of stories about craft, and continuous discovery of Filipino ingenuity. Arnaiz Avenue, Makati –A 120-square meter space on the 7th floor of One Corporate Plaza building had recently been transformed into a design studio. Now known as the JOR-EL ESPINA ATELIER MANILA , it is a space where patrons of the Filipino contemporary design can connect with stories of craft, creativity, and collaboration. “Setting up an atelier was a natural progression for us,” begins Jor-El. “We didn’t just want to build a space to showcase our designs. Our intention was to create an immersive experience for our clients.” Patrons were the primary inspiration behind the newly-launched design studio. For Jor-El, it was important to build a space that serves as a creative hub. “Where we can design, collaborate, and innovate. The atelier allows us to engage more personally with all our patrons–offering a deeper connection with our craft, story, and commitment to contemporary Filipino design.” The atelier is also an extension of Jor-El Espina’s design codes. Filipino elegance and warmth, infused with modern industrial design sensibilities, echo throughout the expansive space. “We wanted it to feel intimate yet aspirational, a reflection of the women who wear our pieces.” A bespoke fitting area serves as a key highlight of the atelier. Here, patrons can immerse in the rituals of dressing. It is also an intimate corner where “dream designs come to life.” One side of the space functions as a display corner. Pieces on display pay homage to the rich textures, patterns, and intricate details borne from the Philippines’ rich culture of craft. “I’d like to think of our atelier as a sanctuary for local creativity and elegance.” The atelier has also inspired a thoughtful expansion into other lifestyle categories. “We remain focused on the creation of beautiful contemporary Filipiniana garments,” the designer clarifies. “We are equally excited about introducing other products that reflect our sensibilities and aesthetics.” Artisanal accessories and a tight edit of home pieces add a new dimension to the Jor-El Espina retail experience. The atelier will also be home for special design collaborations as well as limited edition designs tailored just for the atelier’s clientele. Jor-El Espina, one of the country’s most exciting Filipino contemporary designers today, gives us a walk through of his atelier. “From the moment they walk in, they’ll feel the warmth of Filipino hospitality combined with the sophistication of a modern atelier. This isn’t just a place to shop. It’s a space for exchanging stories, inspiration. Here, design dreams are made tangible. We endeavor to redefine the shopping experience by turning every visit into a sensorial journey into the world of contemporary Filipino design.” JOR-EL ESPINA ATELIER MANILA is located at 703 One Corporate Plaza, Arnaiz Avenue, Makati City. For appointments, contact 0931 127 2802. Store hours are from 10AM to 8PM.For updates, follow us on Instagram @jorel_espinaph.

Presente by ArteFino will happen from November 28 to December 1 at the Fifth at Rockwell. This year’s fair shines the light on values like responsible retailing and upcycling that make holiday shopping more joyful and meaningful. Here’s everything you need to know about the brands, products, and highlights of the most awaited holiday artisanal affair. Since it was established in 2017, ArteFino has grown as a platform, community, movement, and incubator for Philippine creativity. Led by its founders, Cedie Vargas, Maritess Pineda, Mita Rufino, Marimel Francisco, and Susie Quiros, the trade fair has continuously championed responsible retailing and shopping with a purpose in a manner that is uniquely Filipino. Apart from its annual festival, which gathers the community every August, ArteFino has also brought Presente to life. It was initially envisioned as a holiday pop-up showcasing “gifts that give back,” but later evolved to become one of the most awaited artisanal events in the annual Christmas calendar. This year, Presente by ArteFino focuses on unboxing the gifts of responsible retailing. These include time-honored values and Filipino traditions that set the movement and its community apart. Festive flavors, holiday and home decor, unique gift items, party-season fashion do more than just set the tone for a joyous Christmas celebration. They also push the conversation of craft, intentional design, and conscious consumption forward. (LEFT) TOP - DANI OSMEÑA SKIRT & SHAWL - DITTA SANDICO. (RIGHT) TOP - SARI LAZARO SKIRT - DITTA SANDICO (LEFT) DRESS - TAGPI_ (RIGHT) TOP - TAGPI, PANTS - COCO & TRES Here, a list of experiences, event highlights, brands, and love local products to look forward to during Presente by ArteFino: 1. A JOYFUL GATHERING OF A CIRCULAR COMMUNITY At ArteFino, a distinct sense of fellowship and camaraderie binds a growing community of conscious shoppers, makers, creators, designers and social entrepreneurs. Values of sustainability and responsible retailing also serve as common threads for this creative and inclusive ecosystem. This shared passion for championing local crafts, culture, and artistry, form a special kinship that makes shopping at the fair even more joyful. YNDAN 2. HEARTEFINO: A HOLIDAY COLLECTION WITH HEART At the heart of this artisanal movement and gathering of community is the HeArteFino Foundation. The artisanal fair charges a P150 entrance fee, all of which are dedicated to the non-profit’s development programs and the communities it supports. Beneficiaries of the HeArteFino Development Program include: beaders of the Bagobo Tagbanwa community, as well as Kabankalan weavers from Negros and textile makers from Hablon ni Laureana in Argao, Cebu. Output from these initiatives have likewise made it to the selling floors of ArteFino, bringing a full circle moment for the community. This year’s HeArteFino collection will feature: ●  Patty Eustaquio’s Zero Waste Collection in collaboration with Bayo Atelier ●  Knitwear by ALLENA PH ●  Beaded pieces from the Bagobo Tagbanwa community “Funds that will be raised from these collections will support HeArteFino’s Development Program Grant and Community Grants next year,” explains the team. These initiatives empower artisanal communities, elevating their craft, creating sustainable livelihood, while supporting the preservation of our time-honored traditions. Bayo Atelier x Patty Eustaquio for HeArteFino BLAZER - HEARTEFINO X ALLENA_ INNER TOP - COCO & TRES_ SKIRT - BAGOYAN_ FOOTWEAR - AI-SHE Bayo Atelier x Patty Eustaquio for HeArteFino(3) 3. CREATIVE COLLABORATIONS AND DESIGNER PAIRINGS ArteFino has long been a platform and meeting place for like-minded Filipino creatives to come together. Linkages between communities, artisans, entrepreneurs, makers, and creative minds are formed through an extensive network of collaborations. Apart from Patty Eustaquio’s return to fashion with Bayo Atelier, shoppers can expect exciting pairings between their favorite brands, designers, and artists. Apart from Patty Eustaquio’s collaboration with Bayo Atelier (for HeArteFino), Rhett Eala,will launch a capsule collection featuring artworks by Carlo Tanseco. Jor-El Espina will also showcase new pieces created in collaboration with Viktor Manila. This holiday season, several brands will also come together (in one booth) to create a shopper’s experience unlike any other: ●  CALLI Bags and Farah Abu ●  Capricho and Toping Zamora ●  Sari Lazaro and Jorvien ●   Ha.bi and Peewee Benitez ●  Rosber Villar and Tina Campos Jewelry ●  Pamela Alicia and Project Nova ●  Christian Cera and PIESA ●  Jun Escario and Vero Fine Jewellery ArteFino ’s collaboration with the SoFA Design Institute was carried out with the intention of influencing the next generation of makers. The team shares, “We wanted to partner with a creative incubator like SoFA, especially for the Maker’s Lab: Totally Upcycled Challenge.” Inspired by the ideals of up-cycling, recycling, and responsible retailing, this fair’s central setting will also be created by Interior Design Students of SoFA. The main message: A Sustainable Holiday, A Brighter Future. The ArteFino team details: “The Central Setting will feature entries from the ArteFino Maker’s Lab: Totally Upcycled Challenge. Several of our brand partners donated scrap fabrics; not just for our participants, but also to complete this space.” Bag - Follow Your Heart Bags(1) ACCESORIES - ARNEL PAPA_ TOP - ALEGRE BY TECHIE HAGEDORN(1) 4. A BIGGER AND BRIGHTER ARTEFINO MAKER’S LAB: TOTALLY UPCYCLED CHALLENGE Co-presented by Security Bank, the Artefino Maker’s Lab Totally Upcycled Challenge is an annual design competition that inspires participants to create compelling pieces made of discarded materials—denim, wood, scrap fabric, plastic, and even paper. It is a key highlight this year that anchors the movement’s ongoing campaign for responsible retailing. For the challenge, six teams of design students from SoFA will present three-piece collections shaped by the concept of “Retaso + ATBP.” The big goal, to propose fresh, innovative ideas on how to breathe new life to old garments and discarded materials. Every team is paired with a mentor, some of whom are drawn from ArteFino ’s roster of brands and designers. Winners of the Maker’s Lab: Totally Upcycled Challenge will be announced during the four-day event. ArteFino ’s organizing team adds, “They also will be involved at next year’s ArteFino Festival, creating a sense of continuity for the journey’s of our winners.” Rhett Eala 5. FESTIVE FLAVORS: BITES AND LIBATIONS AT ARTEFINO EATS Merry-making, camaraderie, and celebrations accompany the retail experience at Presente by ArteFino Presente . Marimel Francisco, a co-founder, says, “Ultimately, it’s a celebration. There will be cocktailseveryday, starting at 4PM. Live Christmas music, puto bumbong, and bibingka will also add to the daily festivities.” A wide range of homegrown food and beverage concepts will also transform the halls of the Fifth at Rockwell into a full-blown Filipino Christmas reception. These include: ●  Gourmandise by Sunshine ●  Tilde Bakery & Kitchen ●  CMV TXOKOLAT ●  Wawa Bing’s Kitchen ●  ARC Gin ●  Tiger Craft Chocolates ●  PINKERTON ICE CREAM ●  ArteVino ●  Bucky’s ●  Bibingka Atbp ●  The Plaza Catering ●  The Plaza Premium Baked Ham ●  Netong’s La Paz Batchoy ●  The Seven Pantry 6. STROKES OF FILIPINO ARTISTRY: GIFT ITEMS, HOME AND CHRISTMAS DECOR Gift items, home, entertaining, and Christmas decor at this year’s fair feature fine Filipino artistry and unmatched creativity. Chinaware, placemats, heritage fans, trays, throw pillows, parols, and ceramics serve as canvases for portraits of Philippine life, festivities, and gatherings. Brands that highlight strokes of Filipino artistry this season include: ●  Art of Gold ●  The Fine Life Market ●  Millie Monday ●  Looking for Juan ●  Casa Juan ●  Follow Your Heart Bags ●  Casa Mercedes ●  Casa Collective ●  Artifeks ●  Sulat Habang Buhay ArteFino Finds, a curated space filled with artisanal products, will also showcase holiday gifting items for Presente . Decorative, ornamental objects as well as holiday wear make up the season’s edit. The team expounds, “We usually look for smaller, emerging brands that don’t have their own platforms yet. We endeavor to support them by giving them a space and a chance to be part of ArteFino through Finds.” Emerging brands to watch out for at ArteFino Finds are: ●  OlaHaus ●  Pampinay ●  Sisa ●  Wenya ●  Crystal Seas ●  OneWeave ●  Ash&Muff ●  Woven PH ●  Curioser House ●  Milvidas ●  Pilgrim Queen ●  Assirenn ●  RedDot Collective 7. DESIGNED WITH INTENTION, MADE BY HAND At its essence, products, brands and collections presented at ArteFino are tributes to the world of our artisans’ hands. They are living, evolving testaments to the community’s passion for ensuring the survival of Philippine craft. Running parallel to this discipline is the use of natural materials. Marimel observes, “This has served as both key attribute and differentiating trait for Philippine craft and artistry. That our brands can design with intention and create masterpieces entirely by hand, speaks volumes to the community’s creativity, resourcefulness, and boundless imagination.” At Presente by ArteFino, brands and designers endeavor to elevate various fabrics, fibers, and other seemingly humble raw materials like abaca, jute, bamboo, rattan, piña, shell, wood, stones, and metals into holiday treasures–sourced from the earth, molded by Filipino hands. Partner brands at this year’s Presenté that hone in on time-honored Filipino traditions of craft are: A. ForTextileArt ●  Emerie Studios ●  DITTA ●  Alegre by Techie Hagedorn ●  Barba ●  Dani Osmena ●  Trude Lizares B. ForWeaves ●  Capricho ●  YNDAN ●  Bagoyan ●  Christian Cera ●  Sari Lazaro ●  Odel ●  Jorvien ●  Aire ●  Bicol Sweet Grass ●  Disenyo del Sur C. ForWoodWork ●  Sustainably Made by MARSSE ●  Charming Baldemor Studios ●  CALLI Bags D. Needlepoint ●  Wear Your Culture ●  Edited Limited ●  Toping Zamora ● Studio Philippo ● Tagpi E. Patchwork ●  Coco & Tres ●  Two Chic ●  Pinas Sadya ●  Local Art + Home + Fashion F. Pottery and Ceramics ●  Fine Bone/Aurea ●  Cornerstone Pottery G. For Ornament and Jewelry Making ●  Arnel Papa ●  Fedesto ●  Golden Monstera ●  Farah Abu ●  Tina Campos Fine Jewelry ●  Adante Leyesa ●  Arete, ●  Earl Gariando ●  Pamela Alicia ●  Piesa ●  Peewee Benitez ●  Judy Jewels ●  My Gems Jewelry ●  NatureLine ●  Caro Wilson H. ShoeMaking ●  Aishe Fashion ●  Lakat Sustainables ●  SatrenPH ●  Jhaz 8. UNWRAPPING NEWNESS AT PRESENTÉ At every trade fair, patrons of ArteFino consistently look for brands and designers to discover and support. As an incubator for local talent, the platform has launched and nurtured some of the most renowned names in Philippine design and fashion today. Marimel ponders, “Beyond the thrill of discovery, we are dedicated to seeking, developing, and supporting emerging Filipino brands and talents that will bring forward new ideas, innovations, and sensibilities to the responsible retailing movement.” New brands to watch out for at Presente by ArteFino are: ●   Ha.bi ̄ ●  Peewee Benitez ●  Satren ●  Arete ●  Jeanjaquet ●  Bougainvilla ●  Ikot ●  A(cursive letter)rtifeks ●  Natureline Home Decor ●  Azcor Year after year, whether it be the big festival in August or the holiday trade fair, ArteFino pushes the boundaries promoting, and elevating Philippine craft, culture, and artistry. With over a 100 brands, collaborators, and designers joining Presente by Artefino for 2024, everyone is invited to immerse in a holiday experience shaped by ideals like loving local, responsible retailing, upcycling, and sustainable living. The more, the merrier! PRESENTE BY ARTEFINO will happen from November 28 to December 1 at the Fifth at Rockwell. For updates, follow us on Instagram @artefinoph.

Jo Ann Bitagcol’s evolution within the creative space is an ongoing journey of exploration and expansion. Over the years, the muse, icon, designer, and visual artist has seamlessly brought her work behind the lens into the realms of art and fashion. Her eponymous brand, bitagcol , was launched in 2020 with the introduction of satin silk scarves that featured digital photo prints. Compelling images that captured elements of Philippine life, heritage, and culture immediately drew distinction for the brand. From the first collection of scarves, bitagcol’s product range later grew to include signature t-shirt barongs, robes, dresses, aprons, and skirts. As her choice of canvas diversified bitagcol also began to explore new avenues for showcasing her wares. At the start of the brand’s journey, it connected with audiences most through participation in trade fairs. Earlier this year, however, the designer announced the opening of her first studio in Poblacion. The showroom has since become a go-to for fashion cognoscenti and loyal patrons of the brand. To close out a banner year, bitagcol will set up a pop up space at the Powerplant Mall from November 2024 to January 2025. “The work I do with bitagcol is rooted in the desire to celebrate and honor our culture.” Jo Ann begins. “I wanted to bring this vision to a wider market by holding a pop up this holiday season. The space is for those who have not yet been to the showroom or individuals who have not yet experienced the brand” restart: looking back and moving forward In preparation for the pop up space, Jo Ann revisited well-loved prints from past collections. “Since this would be the first pop up, I wanted to share with our new audience the prints and bestsellers that put our brand on the map,” she intimates. Instead of simply reproducing these well-loved pieces, the visual artist explored new shapes, silhouettes, fabrication, and details. “We will still carry the signature shirts, of course,” she emphasizes, “But we are adding long dresses into the mix along other pieces that utilize lace.” Three new baro prints will also be introduced via oversized scarves that can either be worn or framed as works of art. home for the holidays Like her showroom in Poblacion, the open space on the second floor of the Powerplant Mall reflects Jo Ann’s minimalist yet relaxed design inclinations. The visual artist shares that apart from garments, the pop up will carry home accessories that feature bitagcol ’s iconic prints. The home collection by bitagcol will be available at the pop up space, just in time for the holidays. These include wooden serving trays featuring terno and baro prints. There will also be Pastillas prints that add a pop of color and vibrance to oversized coasters. bitagcol’ s collaboration with S.C Vizcarra are also reimagined this season as placemats. Jo Ann explains, “We wanted the pop up space to feel like home. We sought to build an ideal platform to introduce home accessories to our collection. The pop up may be a new location, but it will remain homey and welcoming as the studio.” The decision to venture into the home category was informed by feedback and requests from clients. “It was very inspiring to hear that patrons of the brand want our heritage to be present everywhere. A part of an entire lifestyle.” The expansion into new categories also speaks to the brand’s ethos for finding new applications, mediums, and canvases that birth limitless, boundless ideas. The concept of a re-start has accompanied Jo Ann from the time the pop up idea was first hatched up to when new garments and the home collection for the space was put together. Jo Ann ponders, “This is a new venture for the brand that inspired me to think of a refresh. To look back, but move forward.” The bitagcol pop store is located on the 2nd floor of the Powerplant Mall. For updates, follow @joannbitagcol on Instagram.

In an era where images flood our screens daily, capturing something truly human within a frame is an art form that few photographers can achieve. For this featured portrait and fashion photographer, this art is a journey—a winding path that began with an inspiration found between the pages of Rogue magazine and took shape through small, formative assignments in college. Today, he’s made it his mission to bring life and depth to every shot, finding beauty in both posed fashion scenes and the genuine spontaneity of everyday life. Background & Inspiration How did your journey into portrait and fashion photography begin? Were there any early experiences that shaped your creative path? I’d say that it was in college that I made the conscious decision to pursue taking photos of people as a career, or at least had the realization of what was possible. Back then, I was part of various university organizations as a photographer and, though I was photographing people, it was more in the context of event coverage versus portraiture or something editorial. I have a clear memory though of how something shifted in me when I first flipped through an issue of the now defunct Rogue  magazine, and I saw what photos could be and how they could be used as part of stories. Plus, in maybe my sophomore or junior year, I somehow landed small assignments from Young Star Philippines  that challenged me to take portraits. My path kind of opened up from there. Your work spans diverse themes—what inspires you when capturing different subjects, from fashion to lifestyle? I think at the heart of it I just want a person to feel like a person, or, when there isn’t a person in a photo, that there’s still the sense of humanity in there somehow. And I want the sense that something is happening or has happened. Whether it’s portraiture or documentary work, I’m always drawn to the living aspect. When it’s a person, I like to see the subject interacting naturally with their surroundings, with what they’re wearing, and even with me or the team surrounding us at the shoot. When it’s photos that aren’t of people, I’m drawn to objects with traces of life or spaces that look lived in, which are like portraits in themselves. Creative Process How do you approach conceptualizing a visual story? Are there certain elements or narratives you always aim to incorporate? My ‘upbringing’ as a photographer was in the school of thought that the visual aspect of the story has to be grounded on  the story, so I guess my first considerations are questions like: “What is this about, and what are we trying to say about it?” Those follow whatever the subject of the photos is, whether it’s a person, an event, an object, or even a feeling. From this a lot of the visual parts of the story can take shape, from where you point your camera, to how you frame certain things. And then the personal aspect of photographing comes in: “How do I feel about this? What is my experience of it? How do my personal biases and capabilities inform the way I take these photos?” I think this is always important to think about because it grounds the work and also speaks to its uniqueness. And then lastly, “Who are we telling this story to? What is the experience that we want them to have?” I ask these to help me decide my approach, my composition, my treatment, down to the selection for and sequencing of a photo set.  With all of that said, I am also trying to push against how I’ve come to know making visual stories this way, which, while founded on intentions, might be too analytical and rigid in some ways. Over the last few years, I’ve learned that there’s also space in visual storytelling to simply create out of feeling, with results that are even more interesting. Meaning can be found in the unintentional and the unexpected, too. When photographing a person or a community, how do you capture the essence of the subject authentically? It’s not easy and it’s not something I can say I always successfully do. But I always want to try. When photographing people, I try to get the subject (and, when it’s a highly produced shoot, everyone in the team) to understand that the photos aren’t only created by me, but by us together. I do this by talking to them, trying to get to know them, and also by opening up to them about myself and what I imagine for the photographs. In many words and actions and vibes, I think I just try to express something like, “Hey, I know this shoot may be for so and so, and I understand how awkward shoots or being photographed can be, but I’m here to capture you as you. Please let me know how we can achieve that together.” Technique & Style What role do lighting and location play in your portraits? Do you have a favorite setup or environment? I actually prefer shooting with daylight or at least light that’s already available in a space, so this also decides my preference with locations. I especially like it when natural light does something interesting, like when there’s a small shaft of light passing through an opening somewhere, or when the light filters through foliage and makes nice shapes and shadows on a wall. I like these conditions especially when it comes to portraits — sometimes I feel like the studio spaces and the big lights and the equipment emphasize the “photoshoot-ness” of a shoot, which can be intimidating or overwhelming for the subject, versus settings where the light is just silently there, so the person may not be as distracted from just being themselves. Over the years, though, I have been trying to learn to light set-ups artificially also. This has actually benefited how I shoot with natural light, too, because I’ve learned to pay closer attention to how light behaves and how to manipulate it. When lighting spaces I wouldn’t consider myself so technical and fussy; as much as possible, I just try to recreate what I’d like in a naturally lit setting. Other than that, I’ve also been experimenting with straight-on hard flash. I like how this relatively uncomplicated setup can produce jarring, otherworldly photographs. Can you share any techniques that help bring out both intimacy and artistry in your images? Like I said, it’s difficult sometimes to foster intimacy at a shoot, and it really involves working to get everyone (myself included) to a place of ease and openness. Other than conversation, one small, simple thing that has helped me get there is playing music. Music can immediately set the tone. And then I ask the subject what they would like to play or what they’ve been listening to, so that we can listen to it together.  I think in any project, there’s the opportunity for artistry, to incorporate yourself more or attempt new, different things — in shooting, treatment, or editing. In any shoot, even the ones that are meant to fulfill a premade brief, I try to walk away with something for myself and the feeling that I did something that was ‘me.’ What is your editing philosophy? How do you balance enhancement with maintaining the integrity of a shot? I’m sort of in an interesting place when it comes to treatment. Lately I’ve been experimenting and taking more creative liberties with my photos in post, in terms of cropping and coloring, whereas before I used to be afraid of straying too far from how a photo looks as shot. But if anything, I still want any of my adjustments to feel real and organic somehow. I don’t want it to get in the way of what’s in the photo and what the photo is trying to say. Career Highlights & Insights What have been some of your most meaningful or memorable projects, and why did they stand out? I’m incredibly lucky to have had a lot of very meaningful portrait and documentary projects just this past year alone that really pushed my work in different ways. The ones that stand out especially for me are projects where I felt that I could apply myself more, or where I was challenged to go outside how I’m used to taking photographs. I’ve also been slowly working on a personal, more artistic project about my family and my identity over the last two or three years. In this project, I feel like I’m applying the things I’ve learned about photography while also unlearning them and looking at new ways to approach imagemaking. How do you balance client expectations with your creative vision during a project? For client work, it’s vital to be on the same page on the get-go. I’m getting into the practice where at the start something, after getting to know what the story is and what the client imagines for the project, I make my own board jumping off of their references and assembling my own, based on what I have in mind for the photos. I show this to them and see what they think. At the shoot, I try to accommodate the client’s approach first and work to get the kinds of images they need. Once we’re happy with what we’ve got, that’s when I move towards my spin on things. Down to post-processing and editing, I always express my recommendations or preferences so we can maybe meet halfway and make the process more collaborative. I think it took me a while in my career to develop the confidence to assert my own creative vision more, maybe because I also needed the time to figure out what that is and how to negotiate it. But also there’s nothing better than finding the right clients or collaborators who simply trust you and create generous spaces for your work. Perspective on Photography How do you see the evolution of fashion and portrait photography in an age dominated by social media? I can’t say for sure where it’s going from here. The digital age has made images in general more accessible than ever, which in itself might be a good thing, but I worry about the effects that constant image consumption and production have for photographers. I’ve certainly felt myself at times getting bogged down by how I think my work might appear and be received on social media, and by whether it can keep up. The digital age has kind of homogenized the form in which photos are experienced, but photos have lives outside being someone’s post or just figures on a screen. There are even other media like publications or exhibits where images can be taken in less rapid and more deliberate ways. Whether it’s portraiture or any other form of photography we’re engaging with, I hope we don’t lose sight of the life that a photo can contain.  What, to you, defines a photograph that resonates universally? Are there specific qualities that make an image timeless? There’s something unique and new for each of us to take away from any image at the point where we encounter them, and maybe in that way all photographs can be regarded as universal or timeless. The two of us can be looking at the same photo but appreciate it or parts of it for different reasons, and those will be decided by our respective contexts. While that’s true, I do think a photograph should be taken with its own context in mind, too: its subject, its author, maybe even its intended audience, and of course the time and place of its creation. Advice & Vision For aspiring photographers, what’s one piece of advice you would offer to develop a unique style? It’s a little funny for me to dispense advice about this because I go through a debilitating identity crisis every few months about my own ‘style’, but here’s something I try to tell myself: It’s very easy to reduce your photographic style to how your photos look, when it’s so much more than that. It’s about what you decide to point your camera at and shoot. It’s about how you decide between a successful image and an unsuccessful image. It’s about where you’re coming from and what your photos have to say. If you know what you have to say, it will transcend your photos’ appearance. It could even transcend the medium! That’s what will help you figure out your ‘style’. Do you have any upcoming projects or dream collaborations that excite you? I put a bunch of personal projects and ideas on the back burner but I think I’ve finally found the energy and courage to get them going again. We’ll see! Instragram: https://www.instagram.com/jljavier/ https://www.jljavier.com

“To mark its fifth year of purposeful art engagement and collaboration, SearchMindscape Foundation will mount a first-of-its-kind, multi-sensorial art event, aptly dubbed, IMMERSIVE ART. Anchored on the theme, Of Echoes and Currents, the creative festival will bring together live painting, music, performance art, underwater photography, large-scale digital art projections as well as interactive art installations for one day only–all under one expansive roof.” Since it was launched in 2019, the SearchMindscape Foundation has always dedicated its efforts towards creating spaces and opportunities that inspire interaction, collaboration, and engagement within the Philippine art space. Led by Founder and Project Director Ayni Nuyda, the non-profit organization has continually endeavored to build an inclusive, nurturing creative culture that supports the career growth of emerging contemporary artists. “The foundation has made it its mission to constantly search for visual artists and partners who value storytelling as a catalyst for connection, community building, and engagement,” Ayni shares. “It envisions itself as a gateway into the contemporary art world for artists and art enthusiasts alike, as well as a pathfinder for emerging visual artists to turn to for mentorship and support.” To mark its fifth year of purposeful art engagement and collaboration, Search Mindscape Foundation will mount a first-of-its-kind, multi-sensorial art event, aptly dubbed, IMMERSIVE ART . Anchored on the theme, Of Echoes and Currents , the creative festival will bring together live painting, music, performance art, underwater photography, large-scale digital art projections as well as interactive art installations for one day only–all under one expansive roof. On October 26, 2004, from 5:00PM onwards, the Green Sun Hotel along Chino Roces Avenue in Makati, will be transformed into an underwater universe brought to life by brush strokes, musical scores, movement, shadows, light, and palpable creative camaraderie. “We wanted to create an immersive art experience that would serve as a playground for both artists, enthusiasts, and audiences. Since day one, our work at SearchMindscape is about inspiring artists to thrive and empowering audiences to build a relationship with the art and the artists. Through the IMMERSIVE ART experience, we hope to blur the boundaries between collector and artist, building bridges that will reshape the audiences’ experience of art.” This audience journey at IMMERSIVE ART touches on the five senses. “This is how you create a memorable experience,” shares Ayni. The event was also designed with the intention of highlighting the ephemeral nature of art in all its forms and iteration. “It’s witnessing art at the moment, comparable to watching a live concert versus seeing it on television,” she describes. Several creative limbs will make up the event, opening avenues for artists to explore, discover, and collaborate. “Inspired by my dad’s (pillar of Philippine modern art, Justin Nuyda) experience as an artist, IMMERSIVE ART was intended as a space for collaboration and dialogue.” BATTLE OF THE BRUSH: A Closer Look Into The Creative Process Of Artists A pioneering concept born out of a collaboration between Kevan Seng (Capulet Art) and renowned Canadian artist Raymond Chow, BATTLE OF THE BRUSH is a live painting competition that allows audiences to witness the creative process of artists. It has brought some of Vancouver's most exciting artists together through a shared passion for collaboration and artistic excellence. This year, the competition, which culminates with the audience voting for their favorite artworks, will shed new light on the creative process that’s distinct to the Philippine art scene. Co-founders Kevan Seng and Jwon Suh will be gracing the Philippines with their presence to show their support, marking a significant moment for the competition's international journey. As one of the key features of IMMERSIVE ART by Search Mindscape Foundation, the first edition of BATTLE OF THE BRUSH in the Philippines will unveil best-in-class pairings of contemporary artists. Each pair will create a work of art based on the theme, Of Echoes and Currents. Artists participating in Battle of the Brush include: Ayni recalls, “I came across BATTLE OF THE BRUSH in Vancouver in 2013. It was such a fun experience set in a winery. I wanted to bring that experience to the Philippines. Our roster of artists for the inaugural competition in the country will set the bar for future iterations.” In Vancouver, BATTLE OF THE BRUSH has extended its presence beyond the competition’s stage, adding a creative layer to events like weddings, corporate team-building exercises, and other milestone celebrations. The brand has also etched its place in Beijing’s dynamic art scene. DIGITAL ART PROJECTIONS: Portals To The Underwater Universe Digital art projections will envelope the entire events hall of Green Sun, transporting guests into realms that underscore the message behind Of Echoes and Currents. Ayni adds, “The digital art display pushes perceptual boundaries, blending technology with nature to create immersive experiences. These works prompt viewers to reconsider their relationship with our waters, using various techniques to depict elements in ways that are both conceptual and evocative.” In bringing together a diverse, dynamic and well rounded roster of digital artists, SearchMindscape enlisted the expertise of Ren Aguila. Digital artists whose works will be showcased during IMMERSIVE ART by Search Mindscape Foundation include: LIVE MUSICAL PERFORMANCES: Sounds of the Sea and Tidal Waves Curated by Nick Lazaro, aural scoring and live music will accompany the various digital art projections surrounding the venue. Through the evening, local artists across musical genres will take center stage as a creative response to the various digital artworks on display. “Live music performances introduce an auditory dimension to the exhibit, drawing inspiration from the rhythmic patterns and sounds of the seas,” Ayni elaborates. “Compositions are inspired by the gentle lapping of the waves, the distant calls of marine creatures, and the powerful surge of tides, creating an acoustic landscape that deepens the emotional impact of the visual art.” Musical artists featured during IMMERSIVE ART by Search Mindscape Foundation include: SCULPTURE AND MOVEMENT: Intuitive Art In Motion IMMERSIVE ART by Search Mindscape Foundation will also feature the intricate crochet work of contemporary artist, Aze Ong. Best known as Queen , her wearable sculptures were first worn by her around the time of quarantine in the midst of COVID-19. Every morning, Aze would perform atop the roof of her home wearing the Queen. The performance was recorded and published on social media. This convergence between sculpture and performance art inspires audiences to reconsider the permanent and immovable qualities of monuments typically done using metals or stone. “There are four Queens in total, and for the first time in IMMERSIVE ART these moving sculptures will be stationary and shown together in one space,” details Ayni. Somatic therapist, movement artist and embodiment facilitator, Chloe Chotrani will animate the crochet sculptures during the one-night only creative festival. “Intuitive movements and meditative sufi dance will bring the sculpture to life.” UNDERWATER PHOTOGRAPHY: Echoes of Life Beneath The Waves In her work with the Search Mindscape Foundation and as a curator, Ayni has always been predisposed to exploring the less traveled paths of fine art. She observes, “Photography has a limited platform in the gallery space. There are only a handful of galleries that place photography as fine art.” During IMMERSIVE ART by SearchMindscape Foundation, an exhibit of photographs taken underwater and on the surface will be mounted on the lobby of the Green Sun Hotel, nearby the registration area. “Usually, we only see the work of underwater photographers in Nat Geo type of platforms,” she points out. In curating this collection of photographs, Ayni was keen on creating an audience journey that would prompt the senses and set the tone for IMMERSIVE ART. “It’s a prelude to all the experiences that await on the main floor,” the curator, project director and founder says. Photographers on exhibit at IMMERSIVE ART by Search Mindscape Foundation are: A resonant message that honors the beauty, boundless power and fragility of our oceans tie together the various limbs that make up IMMERSIVE ART by Search Mindscape Foundation. From the live painting to music, digital projections, and photography, Ayni emphasizes, “Everything is related to the ocean or water. In all aspects of the event we bring together the emerging and seasoned artists. It’s all about curation.” Of Echoes and Currents , the event’s theme, brings to the surface the complex relationship of the marine world and humankind, as told through the lens of visual arts, performance arts, photography, digital art, and installation art. Ayni closes: “It weaves together stories that highlight both the strength and vulnerability of our oceans. It takes the audience on a journey through diverse artistic mediums, which transforms the space into a metaphor for fluidity and chaos, illustrating how water–and in this case, art–binds us together...In this exhibit, the echoes of the past and the currents of the present converge, fostering a dialogue that celebrates the ocean and encourages the viewers to reflect on society’s integral role in both the eco system and the arts. ” IMMERSIVE ART: Of Echoes and Currents by SearchMindscape Foundation will happen on October 26, Saturday at the Green Sun Hotel, Chino Roces Ave., Makati. Gates open at 4PM. For more information and tickets, visit < https://immersiveart.helixpay.ph/ >

Filipino indie band One Click Straight is back with their latest single, "Siga," a lively track that offers a fresh take on themes of resilience and camaraderie. The song is accompanied by fast-paced visuals and high-energy performances. Following their 2023 self-titled album, the band shows no signs of slowing down, and "Siga" is just the beginning of what's in store for fans as they prepare to release even more new music. Reflecting on the band's journey, drummer Tim Marquez shared his thoughts on putting out new music: "After putting out the album last year, we knew our writing juices didn’t run out and we still had a lot to say. ‘Siga’ was one of those songs, and I’m glad we finally released it. It is always fulfilling to put out new music." While "Siga" is portrayed as lively, its message runs deeper, inspired by everyday life struggles. Tim explains, “Sometimes you feel like the world is against you. Everything’s falling apart, and nothing’s going your way, but all you can do is laugh. I just wanted to write something funny, vibrant, and quirky—like being stuck in classic Manila traffic and needing to pee. It’s the perfect soundtrack for that.” He added a message of hope: “I hope anyone who listens can just vibe out and feel like they’re not alone. Life may be hard, but it gets easier when you’re with your friends.” Fan Reactions and Live Performances of “Siga” The band recently played "Siga" live during their tour stops at "Dining Hall, Q.C." and "Calle Uno, Baguio" on September 13–14, 2024, receiving an overwhelmingly positive fan response. Sam Marquez, the band's lead vocalist, describes the energy of performing the song live: “The response for ‘Siga’ live has been crazy. Seeing the crowd go nuts during the extended outro will never get old, and the sound of all the voices singing the chorus together is infectious.” Tim adds, "There's nothing better than being in a place where everyone understands each other. Shows have this amazing communal energy, and 'Siga' amplifies it to another level." Behind-the-Scenes of the "Siga" Music Video The production of the "Siga" music video came with its challenges. Tim recalls one particularly intense scene during filming. "The funny thing about the 'Siga' music video shoot is that we didn't anticipate the level of physicality and intensity required," he explains. "I remember a scene where I was upside down—it looked easy and harmless on paper, but it turned out to be one of the scariest things I've ever done for a shoot. Most of the scenes seemed fun in concept, but once we started filming, the fatigue and muscle pain were intense," he adds with a laugh. What’s Next for One Click Straight? With the release of "Siga," One Click Straight is gearing up for more new music and more live shows. Although there is no set date for future releases, Sam teases that the band has been hard at work. “We’ve been cooking, and a lot of new tunes are on the way. We have no concrete plan on when the next releases will be, but we’re excited.” Fans can expect the band to continue delivering relatable, energetic tracks that capture the essence of everyday struggles and joys. The excitement surrounding their next steps is building, and fans won’t have to wait long for more exciting updates from the band. Listen to “Siga”, out now on all music streaming platforms: https://OneClickStraight.lnk. to/SIGA Watch the official music video of “Siga”, out now on YouTube: https://www.youtube.com/watch? v=HbourCXZT0U Follow One Click Straight on his social media accounts to stay updated on his future releases: https://OneClickStraight.lnk. to/SocialMediaChannels

To celebrate the milestone 80th year of Maritess M. Pineda, ART HOUSE  will mount a retrospective show that captures eight decades of patronage for Philippine art and design. From October 24 to 27 at the Southcourt  of the Power Plant Mall, Terno: Celebrating a Legacy Forged from Design and Art will bring together 8 contemporary artists as they reflect and respond to 8 masterful designs that have marked milestones in the life of a patron. “It felt more meaningful and purposeful to come up with an exhibit than to throw another party,” reflects the patron, co-founder for ArteFino and Friends of Manansala Foundation. Maritess is also a Board of Director of ART HOUSE, “It was important to have an activity that would tell the story of Philippine art, heritage, and design,” she says. “We were also thinking of something that could evolve in the coming years, maybe into a book or a larger exhibit.” TERNO: A Pairing, A Symbol of Philippine Identity The concept of Terno  was hatched after poring over Maritess’s extensive archive of gowns by masters of Philippine fashion. Couture creations by Ramon Valera, Steve de Leon, and Patis Tesoro served as key inspiration for mounting an art show, showcasing the use of heritage fabrics. Contemporary reimaginings of the national dress by BAYO Atelier, Len Cabili, Jor-El Espina, Rajo Laurel, and Cora Manimbo were also chosen to represent a creative revolution in everyday Philippine wear. “These gowns or dresses were also chosen because they were a part of my life’s milestones,” adds Maritess.  Design pieces were then paired with contemporary artists from ART HOUSE’s roster.These include 0270501, Enon de Belen, Alvaro Jimenez, Ronna Manansala, Anina Rubio, and Melissa Yeung-Yap. Patis Tesoro and Jo Ann Bitagcol were also invited to partake of the creative exercise. Their works as both artist and designer are renowned for their distinctive use of heritage fabrics. For Terno , Patis will showcase never-before-seen studies of her artwork, all done on local fabrics. Jo Ann will apply her signature photoprints on fabrics as a response to Len Cabili’s intricately embroidered dresses Ramon Valera gown that Maritess Pineda wore on her debut by Ronna Manansala and a photography piece by Jo Ann Bitagcol Steve de Leon archival piece  ART HOUSE Founder Carlo Pineda explains, “My mom has always been a supporter of Philippine fashion and art. Her journey as a patron of both presented us with a beautiful proposition to blend fashion and art in one space.” Terno  honors the national dress as a fundamental part of Philippine identity. But more than that, it also endeavors to tell the story of Philippine creativity and its ecosystem through a new lens.  Carlo details that: “The concept aligns with ART HOUSE’s  ethos for showcasing local talent, culture and heritage. It also zooms in on materiality, which is the use of heritage fabric.” In Terno , indigenous weaves like abaca, Sinamay, upcycled fabrics, cajas, T’nalak, Inabel, Binakol, pina, and banana fibers serve as the canvas for both the designer and artist. “The show inspires the audience to regard our very own heritage fabrics through the eyes of two different disciplines, and in different eras,” says Carlo. On of the differentiating attributes of the show is that it  presents Philippine weaves as the canvas for enduring fashion creations and contemporary art works.  Sincere advocacy also underscores the narrative behind Terno . In her eight decades of patronage, Maritess has forged lasting friendships with artists and designers alike. “Every piece of art or gown in my collection has a personal story to tell,” says the patroness. “Collecting was never about just acquiring pieces or investing. It was always something very personal and meaningful. Something that was part of everyday life, something that I also share and impart with family.” By highlighting the patron’s journey in Philippine and art,  Terno endeavors to bring forth the heartwarming stories behind pieces, reshaping the considerations that make a work of art truly valuable. Carlo emphasizes, Alvaro Jimenez, Carlo Pineda, Cora Manimbo, Patis Tesoro, Peching Gomez, Maritess Pineda, Anna Lagoon, Patty Pineda, Steve de Leon In her curatorial notes for Terno , Marika Constantino writes:  “When the term terno  is used, it can loosely refer to a formal attire or by definition: a pairing, matching of items, to make suitable, or to fit. These are the underpinnings of this exhibition. This effort also takes into account Ms. Marites Pineda’s significant role in advocating for our local culture, with a focus on textiles, fabrics,and crafts; a cause that has fueled her eight decades of spirited and purposeful engagement. Len Cabili; Cora Manimbo; Alvaro Jimenez; Patis Tesoro; Ronna Manansala with Maritess Pineda; Steve de Leon with Maritess Pineda Terno is an exhibition that presents various renditions of weaves and materials. Taking inspiration and motivation from the garments from Ms. Pineda’s collection, each artist will respond and reflect on a specific piece of clothing. Whether it’s the color, pattern, flow, drapery or construction, these gowns will be sources of stimulation to induce meditative or contemplative contemporary art works. As this group of intergenerational artists showcase their mixed-media works, we are also able to forward our fertile, creative, and resilient past. More importantly, the collection gives light and contributes to a diverse and highly sustainable legacy for future generations of Filipinos to build upon.” Carlo emphasizes that a spirit for collaboration between artists, designers, patron, and audience make up the unique ecosystem that ARTHOUSE  celebrates. For Terno , more specifically, “We explored new ways of bringing fashion and the arts together under one platform. We would like to start engaging artists and designers in an exchange and creative interaction.” He discloses that eventually, the exhibit could serve as a take off point for future shows or programs that merge fashion with fine arts.  Maritess M. Pineda, patron, arts and culture advocate, and co-founder of ArteFino concludes: “Terno is inspiration for ARTHOUSE  to now look into showing how art and fashion can evolve hand in hand. Both can adapt to the direction and the needs of the times. They can adapt while taking into consideration the need to address the climate change crisis. They can do all of this while keeping in mind that perservation of heritage is key.”  Terno: Celebrating a Legacy Forged from Design and Art will happen from October 24 to 27 at the Southcourt, Powerplant Mall. The exhibit will move to the ART HOUSE Gallery at JMP Bldg Jose Cruz Street Brgy Ugong Pasig City. For more information, follow ART HOUSE @thearthouse_