Captured through the lens of Mateusz Stankiewicz, Love, Christmas tells a visual story radiating a cozy, communal ambiance, welcoming observers into moments of shared delight and sophistication. The carefully curated images strike a harmonious balance between the festive energy of the season and the polished essence of Reserved's designs. Also directed by Zuza Trukowa, the campaign features a festive video that animates the joyous moments depicted in the overall campaign. This video introduces an additional layer of celebration, enhancing the already lively theme of Love, Christmas. Collectively, the various elements of the campaign blend seamlessly to form a comprehensive and immersive holiday experience, where fashion seamlessly integrates as a central component of the season's festive spirit.

In the ever-evolving realm of modern art, where vivid colors dance and feelings speak louder than words, Andre stands out as a bold and unique creator. With his canvas as his canvas, he paints abstract languages that capture the essence of his truest emotions. Unafraid to pour his soul onto the canvas, Andre shares his intriguing artistic process - a journey that began in Cebu and has now mesmerized audiences around the world. Your art is described as painting abstract languages that absorb and release emotions without apology. Can you elaborate on how you developed this unique approach to your work? My artistic approach has evolved through continuous exploration of life experiences and the constant acquisition of knowledge. I transform these experiences into raw emotion, channeling that emotional energy into my creations without reservation. Embracing ambiguity as a powerful tool, I navigate through uncertain feelings, translating them onto the canvas with the intention of creating clarity and connection. My art is my medium to absorb and release emotions unapologetically, reflecting the intricate language of abstraction I've developed over time. Each of your art pieces is said to have its own voice, belonging to a specific person. How do you infuse individuality into your creations, and what significance does this hold for you as an artist? I infuse individuality into each of my art pieces by expressing a language derived from raw emotions, similar to a dance of personal narratives. Every element within my creations represents a distinct journey — not only from the artist's perspective but also in the interpretations of the viewer. The intricate interplay of meanings between the artist and viewer, and the artwork itself, weaves a complex web of dialogues. It is within this dynamic exchange that the realization of our inherent differences emerges, and through this recognition, the sense of individuality is heightened and enriched. Andre, your journey from Cebu to the world of contemporary abstract expressionism is truly captivating. Can you start by sharing how your Cebuano roots influence your artistic expression, especially considering the vibrant cultural tapestry of the Philippines? Originating from Cebu, I find that the pragmatic and feasibility-focused traits inherent in the local culture influence my artistic expression. This has instilled in me a practical approach to creativity. This pragmatic perspective not only shapes the way I conceptualize my art but also adds a unique layer to my journey in contemporary abstract expressionism. With a formal background in interior design, how do you fuse the structured elements of design with the free-flowing, abstract nature of your paintings? Has your design background provided a unique perspective on the way you approach your artwork? Drawing from my formal background in interior design, I integrate structured design elements with the uninhibited, abstract nature of my paintings. The discipline of interior design has equipped me with a profound understanding of flow and organization, allowing me to practice a sense of order into the dynamic movement of chaos within my artwork. This background has not only served as a framework for channeling the explosive energy within me but has also fostered an internal critique that refines my creative process. Your active presence on social media showcases not only your art but also your quirky and unabashed personality. How do you navigate the intersection between your online persona and the genuine emotions conveyed in your big, bold strokes on canvas? What I share online is essentially an extension of my artistic expression. I don't consciously aim to integrate or ponder about the intersection between my online persona and the emotions reflected in my bold strokes on canvas because, to me, they are inherently unified. Whether it's what you see on social media, in person, or in the strokes on canvas, the light emanates from the same source—an expression of myself. Curiosity has played a significant role in your journey as an artist. How has curiosity influenced the evolution of your work and your personal growth as an individual? Curiosity, to me, is the signal to embark on an exploration of information. It serves as the powerhouse for movement and progression in both my work and personal growth. Day by day, curiosity adds complex details to my journey, contributing to the evolution of my art and shaping my development as an individual. As an artist, what do you hope people remember about you and your work? How would you like your art to be perceived and remembered by future generations? I aspire for my art to serve as a lasting reminder that every element possesses a unique and individual identity. That, for me, encapsulates the essence of what I hope people remember about my work. In conclusion, how do you see the role of art in shaping perspectives and fostering connections among people in today's world? What message or advice do you have for aspiring artists looking to carve their own path? In conclusion, I see art as a powerful force that provides context to our existence. It has profoundly shaped my perspective, merging life with greater meaning. My belief is that art transcends conventional venues; it can thrive in various forms and spaces. To aspiring artists, my advice is to avoid relying solely on galleries or publications for validation. Your identity remains unchanged, and the quality of your art persists, with or without external recognition. Stay true to yourself and your unique expression, for that authenticity is the essence of your artistic journey. Andre Chan: https://www.instagram.com/andrechance/ Photos by Wilmark Jolindon

Step into the world of Hollywood's glamour and sophistication, where fashion and sophistication reign supreme, three powerhouse celebrities came together in 2017 with a visionary concept: make high-end eyewear accessible to all. Jamie Foxx, Hailee Steinfeld, and Ashley Benson redefines the very essence of chic eyewear driven by a single question: "Why can't designer-looking glasses be affordable?" Their brainchild, Privé Revaux, emerged from this pursuit with the philosophy that a meticulously crafted pair of eyeglasses should be within everyone's reach. Curated through the lens of celebrity sensibilities, these Hollywood heavyweights combined their distinctive styles and industry influence to revolutionize the way people perceive and purchase eyeglasses. The brand's ethos revolves around inclusivity, offering an extensive range of frames to suit diverse tastes, vision needs, and budgets. Crafted with precision and an unwavering commitment to quality, Privé Revaux eyewear redefines elegance without compromising on durability or price. Utilizing top-tier materials, from robust frames to polarized lenses with 100% UVA/UVB protection, each piece boasts impact and scratch-resistant coatings, ensuring both style and longevity. Meet the Visionaries Behind Privé Revaux and its Signature Collection Jamie Foxx: A powerhouse in the entertainment industry, Jamie Foxx brings his incomparable style to life through the Jamie Foxx Collection. Bold, edgy, and charismatic frames define this collection, embodying Jamie's unparalleled flair. From classic aviators to contemporary square designs, each piece bears testament to premium quality and meticulous attention to detail. Ashley Benson: A luminary on both big and small screens, Ashley Benson's curated collection is a reflection of her magnetic presence both on and off-screen. From daringly trendy to timelessly elegant, the Ashley Benson Collection mirrors her fashion-forward approach, appealing to every individual's preference. Hailee Steinfeld: Celebrated for her accolades in both singing and acting, Hailee Steinfeld infuses her sophistication and elegance into every piece of the Hailee Steinfeld Collection. From modern and chic designs to timeless frames, the Hailee Steinfeld Collection of sunglasses, blue light, and prescription glasses exemplifies a diverse array of styles, catering to various face shapes and personal tastes. Experience the allure of Privé Revaux – where Hollywood's elite visionaries Jamie Foxx, Ashley Benson, and Hailee Steinfeld disrupts the traditional eyewear landscape by marrying celebrity design sensibilities, superior craftsmanship with accessible prices to all. Level up your fashion statement with Privé Revaux and make every moment a red-carpet-worthy affair. Available in Vision Express branches. About Vision Express Vision Express stands as a leading optical chain in the Philippines, offering the latest advancements in eye care technology and showcasing an array of over 60 designer eyewear brands. Vision Express operates under the ownership of House of Branded Lifestyle Inc.

By Seigar The series “Tales” is how I present all my travel and street photography work, and my main intention with these photo narratives is to express the Latin message of Carpe Diem. I think it’s related to waking up. “Enjoying life” is essential, and “taking care of ourselves” (eat, move, and rest the best you know) is part of waking up too. All these ideas work together. Let me share another reflection: when artists discuss censorship and cancellation culture, I always think of Madonna as a role model to follow, with decisions and actions rather than words or moaning. The brave attitude she has shown her whole life inspires me. All this debate about censorship is like the metaphor of the bird inside the cage with the doors completely open—it's there, fly! So let’s do it; let’s take action rather than complain about it. If only we all knew the power we have in our hands, it’s on us! We decide. We are free. Individually free, each of us! This metaphor works not just for censorship but for every single thing in life, for every goal that you have, and you may be crazily waiting for authorization from someone, or even worse, from “a system." Remember, the doors of the cage are completely open; do it! Finally, let me tell you something else I have come up with in my trips. I have seen that, even though we are different, the most important things in life connect us. I have realized most human beings are beautiful souls with so many good things to share with the world (with so much potential!), and in fact, this picture I got from my experiences is quite far from the image I get from the media about the world and its citizens. It makes me question, "Why?" Now, I will give you time to reflect on that. Give it a thought, and get to your conclusions. ;) Travel Itinerary in Morocco: CASABLANCA. FES. RABAT. AL YADIDA. MARRAKECH. OUZOUD WATERFALL. ESSAOUIRA. OURIKA VALLEY. MARRAKECH. As the narrative unfolds, we are transported to the enchanting landscapes of Morocco, where Seigar shares tales from the road. Amidst the vibrant colors and intricate textures of Moroccan life, Seigar reflects on a profound revelation—despite our differences, the most important aspects of life connect us. The photographs capture the essence of the human spirit, revealing the inherent beauty and potential within each individual. In conclusion, "Tales of Morocco" is not just a visual feast but a philosophical exploration. Through the lens of Seigar, we are invited to break free from the cages of societal expectations, to seize the day, and to recognize the beauty that unites us all. As you explore the captivating tales woven into each frame, take a moment to reflect, embrace the spirit of Carpe Diem, and embark on your own journey of self-discovery. The doors are open—fly! Seigar is a passionate visual artist based in Tenerife, Spain, specializing in travel, street, social documentary, conceptual, and pop art. He is deeply fascinated by pop culture. This fetishism is evident in his works exploring photography, video art, writing, and collage. A philologist by profession and a secondary school teacher, Seigar is a self-taught visual artist, having completed courses in advanced photography, cinema, and television. He has been to 53 countries and has a long wishlist! His artistic mission is to narrate tales through his camera, creating a continuous storyline from his travels and encounters. He has participated in various international exhibitions, festivals, and cultural events, and his works have been featured in numerous publications worldwide. His recent focus includes documenting identity and spreading the message of the Latin phrase carpe diem. Seigar was honored with the Rafael Ramos García International Photography Award. He shares his predilections on art and culture on Pop Sonality, his blog. Links: Webpage: seigar.wordpress.com Instagram: instagram.com/jseigar Galleries: flickr.com/photos/theblueheartbeat/albums Blog: popsonality.blogspot.com

Photographer and Stylist: Jess Collins Model: Matthew Roberts from D1 Models London

The turn of the 21st century marked a period of significant cultural and technological advancement, and no aspect of this era captured the spirit of the time quite like Y2K fashion. Characterized by its bold, playful, and futuristic elements, this unique aesthetic has made a triumphant comeback in recent years, appealing to a new generation of fashion enthusiasts. Let's take a closer look at the Y2K fashion revival and how it reflects the cultural and technological influences of the late '90s and early 2000s. Y2K fashion, also known as the "millennium aesthetic," draws inspiration from the late '90s and early 2000s, a time marked by the dawning of the new millennium. It's a style that celebrates the optimism and boundless potential of a world on the brink of a new era. Characterized by its bold colors, futuristic motifs, and playful elements, Y2K fashion was influenced by the cultural and technological trends of its time. Mango looks to blinged-out shirts for the Y2K look. Photo: Mango The late '90s and early 2000s witnessed a digital revolution, with the widespread adoption of the internet and personal computers. This digital landscape found its way into fashion with the rise of cyber aesthetics. Y2K fashion often features metallic and holographic fabrics, reflective materials, and elements reminiscent of computer interfaces. This futuristic approach to clothing echoes the era's fascination with the virtual world and the promise of technology. Y2K Denim: Girl group Destiny’s Child in low-rise jeans. Christina Aguilera wears a baby tee with fringe embellishment. Britney Spears poses in knee-high boots and denim on the red carpet with Justin Timberlake. Y2K fashion was heavily influenced by the celebrities of the time. Pop stars like Britney Spears, Christina Aguilera, and Destiny's Child set the trends with their daring and avant-garde outfits. Their influence on fashion choices, along with the rise of celebrity culture, showcased the impact of popular culture on Y2K style. One of the most recognizable features of Y2K fashion is its fearless use of color and pattern. Neon brights, metallics, and animal prints were all the rage, creating outfits that were impossible to ignore. This exuberant use of color and pattern reflects the optimism and enthusiasm of the era, as well as a rejection of the minimalism that dominated the '90s. A fitted long-sleeve top and cargo pants create a balance look. Paris Hilton shows off Y2K style in a micro mini skirt. The Fendi Baguette bag was everywhere during the early 2000s Raven-Symone shows off a double denim outfit, a popular 2000s look. Y2K fashion represents a unique style that emerged from the cultural and technological landscape of the late '90s and early 2000s. Its bold, playful, and futuristic elements capture the optimism and spirit of the time, and its recent revival showcases the enduring appeal of this aesthetic. As fashion continues to evolve, Y2K fashion serves as a nostalgic reminder of an era that celebrated the limitless possibilities of a new millennium.

Creative Direction: Jobo Nacpil Photography: Wilmark Jolindon Styling: James Bradlee Gomez and Steph Aparici of Gee Jocson Studio Makeup: Sylvina Lopez Hair: Renz Guevarra Models: Joanna Pojas of PMAP and Yumi Fernandez of Farah Models Production Design: Steven Doloso and Datu Leo of Juxtaposition Co. Shoot assistant: Mark Carlos BREATHE LIFE INTO THE MYSTERIES OF THE TAROT WITH DESIGNS FROM EMERGING FILIPINO FASHION TALENTS The world of fashion has always been intertwined with mystique and magic. In recent years, fashion enthusiasts have found inspiration in the mystical world of tarot cards. The symbols, archetypes, and narratives within the tarot have provided an enchanting canvas for designers to express their creativity and tell unique stories through clothing. In this fashion editorial, we delve into the magical world of the tarot as we showcase the extraordinary designs of emerging Filipino fashion talents. Prepare to embark on a sartorial journey that transcends the ordinary and opens the doors to the extraordinary. THE FOOL blank slates, beginnings, folly QUERENT (n.) A person who asks or enquires BABYDOLL DRESS: ANGEL LINSANGAN MEDIUM (n.) An individual held to be a channel of communication between the earthly world and the realm of spirits SMOCKED COAT: PATRICE BY CHARLOTTE BLANQUISCO / EARRINGS: NEIL + MARTER THE SUN invigoration, enlightenment, positivity VEGAN LEATHER CROWN AND THE LITTLE PRINCE COAT: JANN BUNGCARAS TULLE SKIRT: VANESSA PINLAC / EARRINGS: NEIL + MARTER THE HANGED MAN suspension, sacrifice, changed perspectives ROMPER WITH SCULPTURAL BAMBOO SKIRT AND ARM PIECE: ANDREA AMOR EARRINGS: NEIL + MARTER THE EMPRESS abundance, vibrance, femininity SEQUIN DRESS: VANESSA PINLAC / EARRINGS: NEIL + MARTER THE HIEROPHANT education, beliefs, conformity SOUTANE INSPIRED DRESS, HALF LONG EMBROIDERED VEST & EMBROIDERED MITRE HEADPIECE: THE LOVERS unions, values, romance RED GOWN: CHEYENNE SAROL / WHITE GOWN: AUREA VINLUAN STRENGTH composure, patience, inner strength THE HERMIT solitude, meditation, introspection OVERSIZED COAT & DRESS: BRIX BATTALER EARRINGS: NEIL + MARTER DEATH elimination, transitions, inescapable situations KNIT DRESS: CHEYENNE SAROL / WAX MASK (USED AS NECKPIECE): AVANT ART MNL THE STAR inspiration, hope, serenity WHEEL OF FORTUNE impermanence, turning points, destiny GRAPHIC TOP, SKIRT & TROUSERS: B. BY BEA GUERRERO / EARRINGS: NEIL + MARTER THE DEVIL bondage, ignorance, hopelessness PIÑA BUTTON SHIRT, TROUSERS & RATTAN HAT: ERRICA LEE CORSET: CARL ARCUSA EARRINGS: NEIL + MARTER

The Waterfront Cebu City Hotel and Casino's Pacific Grand Ballroom was transformed into a haven of opulence and fashion on the second day of the Cebu Wedding Expo 2023. Poised by none other than the globally acclaimed Cebuano fashion designer, Furne One Amato, the event was a breathtaking display of creativity and design in his "Immaculate Machinations" fashion show. This remarkable showcase, produced by his dear friend Cary Santiago in partnership with Diagold, left the audience in awe as it unveiled a 50-piece, all-white collection. Furne One Amato, a name synonymous with innovation and artistry in the fashion world, marked a significant milestone in his illustrious career as he celebrated 25 years in the industry. The "Immaculate Machinations" fashion show was nothing short of a visual spectacle, providing an intricate tapestry of creativity and design that went far beyond the conventional realms of bridal wear. Instead, it introduced an extraordinary fusion of artistry and innovation that left a lasting impression on all in attendance. Produced with flair and finesse by Cary Santiago, a dear friend of Furne One, this spectacular event was a testament to their shared passion for pushing the boundaries of fashion. Partnering with Diagold added a touch of luxury and elegance to the occasion, making it even more memorable. The "Immaculate Machinations" collection was a striking departure from traditional bridal wear. Furne One's artistic brilliance was on full display as he pushed the limits of design, using an all-white palette as his canvas. Each of the 50 pieces showcased was a masterpiece, encapsulating the designer's vision of beauty and artistry. The collection featured a mesmerizing array of gowns and ensembles that transcended the ordinary. Elaborate lacework, intricate beadwork, and sculptural elements combined to create outfits that were nothing short of breathtaking. Furne One Amato's unique ability to infuse emotion and storytelling into his creations was evident in every piece that graced the runway. The "Immaculate Machinations" fashion show was not just an exhibition of clothing; it was an experience that transported the audience into a world of dreams and fantasy. It was a visual journey that evoked a range of emotions, from admiration to inspiration, leaving an indelible mark on the hearts of those in attendance. This showcase was more than just a fashion show; it was a bold statement about the limitless possibilities of bridal wear. Furne One Amato challenged the status quo, proving that a wedding dress could be a work of art, a masterpiece that defied conventions and pushed the boundaries of innovation. The Cebu Wedding Expo 2023 was graced by the presence of one of the fashion world's most exceptional talents, Furne One Amato. His "Immaculate Machinations" was a testament to his remarkable journey of 25 years in the industry, a celebration of creativity, artistry, and the capacity of design to transcend the ordinary. This fashion extravaganza, produced by Cary Santiago in collaboration with Diagold, will be remembered as a defining moment in the world of bridal fashion, where innovation met elegance and artistry reigned supreme. ALL PHOTOS BY: Joseph Ong Produced by: Matt Pingkian

Unveiling the Impeccable Craftsmanship and Exquisite Designs of the Filipino Fashion Maestro In the realm of high fashion, where artistry and craftsmanship intertwine, Cary Santiago stands tall as a beacon of creativity and elegance. This Filipino fashion virtuoso has captured the hearts of fashion enthusiasts worldwide with his unparalleled designs, attention to detail, and unwavering passion for his craft. With a career spanning several years, Cary Santiago continues to redefine the boundaries of couture, leaving an indelible mark on the global fashion stage. Cary Santiago's journey to fashion stardom began in the vibrant city of Cebu, Philippines. From an early age, Santiago displayed a remarkable affinity for aesthetics and an innate talent for design. Fueling his passion, he pursued formal education in fashion design and embarked on a quest to establish his own brand. In 2008, Santiago's prodigious talent took center stage when he emerged victorious in the prestigious "Mega Young Designers Competition." This watershed moment propelled his career to new heights, allowing him to showcase his vision to a wider audience. Since then, Santiago's meteoric rise has been marked by his unwavering commitment to excellence and his relentless pursuit of innovation. At the heart of Cary Santiago's success lies his artistic prowess and meticulous attention to detail. His designs transcend the boundaries of mere clothing, morphing into wearable masterpieces that embody sophistication and grace. Santiago's creations are characterized by intricate embroidery, ethereal silhouettes, and the masterful use of luxurious fabrics that caress the body with divine elegance. While renowned for his bridal gowns, Santiago's portfolio extends far beyond. From red carpet ensembles to ready-to-wear collections, each piece bearing his name exudes a distinct allure that captivates both the wearer and the beholder. The interplay of structure and fluidity, the harmonious blending of traditional and contemporary influences—these are the hallmarks of Santiago's artistry. Cary Santiago's indelible impact on the fashion industry has garnered him worldwide recognition. His creations have graced the pages of renowned fashion publications, earning him a well-deserved place among the industry's elite. Notable personalities, including celebrities and socialites, have sought out Santiago's designs for their red carpet appearances, enhancing their allure with his sartorial magic. Beyond his personal brand, Santiago has collaborated with esteemed fashion houses and participated in international fashion events, further solidifying his status as a global fashion ambassador. His designs have walked the runways of Paris, New York, and other fashion capitals, captivating audiences with their sheer magnificence. As Cary Santiago continues to leave an indelible mark on the fashion landscape, his legacy as a master of couture elegance is being etched into history. His commitment to nurturing emerging talents and sharing his knowledge through mentorship programs has inspired a new generation of designers in the Philippines and beyond. Looking forward, Santiago's passion for innovation remains undimmed. With each new collection, he pushes the boundaries of his art, exploring uncharted territories and weaving dreams with his needle and thread. The future holds limitless possibilities for this visionary designer, as he continues to captivate the world with his boundless creativity. Cary Santiago's artistry and impeccable craftsmanship have firmly placed him among the pantheon of fashion legends. His unwavering commitment to elegance and his ability Credits: Video and Runway photos by : Noel Benjamin Fernandez

Words by: Mariel Abanes The Chosen One “When my producers first introduced the project – I straight up bawled like a baby. I,” filmmaker Petersen Vargas recalls, “Was going to direct Kathryn Bernardo?” It’s a delightful surprise more than something unexpected, we say, that the “A Very Good Girl” director was handpicked by Kathryn herself to spearhead the Box Office Queen’s boldest project yet. Similar to his genius showcases in earlier works like “2 Cool 2 Be 4gotten” and “An Inconvenient Love”, Petersen gamely wore the director’s hat and owned it – producing a fatal dark comedy starring two females who match his unwavering passion and creative vision. The result? A bloody, mind-blowing collaboration that the unassuming audience never predicted, but happened – and surpassed. Two Aries's And A Leo Flames grow more ablaze and brighter put together – an unstoppable force that brought him, Kathryn, and Dolly together naturally. “I loved it when our trio tandem clicked effortlessly,” he shares. “It's exactly what happens when you put two Aries ladies (them) and a Leo (me) in a room: explosive energies with a committed passion to make a film we all wanted to be proud of.” Thus, a smooth and productive ride, with the director admitting how he’s learned a bunch from the leads-slash-collaborators. “These were two actors who had full control of their talent. And yet I witnessed the trust and respect they gave to their collaborators as well. Not just from me, but in all areas of production they could offer their two cents,” Petersen reveals. He went on to share how Kathryn and Dolly contributed to the overall looks and persona of Philo and Molly – from makeup details to dialogue revision recommendations. “I loved that every shooting day felt like a creative jamming session with these two,” he adds. “It wasn't just, ‘What did I think of this scene?’ It was also, “What did you and I think? And how do we make it better together?’” Suffice to say that the fire glowed, with all three of them not just killing it from start to finish and beyond, but also paving way for their own individual growth – together. “All this felt like a leap of faith, but with the three of us holding each other's hands,” the director opens up. “I say it like that because I feel like everyone involved in this project is turning things around for themselves.” In Kathryn’s case, deciding to break away from her previous roles and wearing a new character that will stamp her name further as a full-fledged artist. “I looked forward to getting to know the Kathryn Bernardo behind, or beyond, the movie characters I grew up watching, the way we've all come to know her. I've always wanted to pick her brain, and kind of break open the myth of her long-standing stardom and see what's there inside,” Petersen comments on working with the 27-year-old actress. In Dolly’s case, meanwhile, taking on a lead role in a Star Cinema film, etching a legacy to remember in this pivotal season of her career. And for the filmmaker, landing this kind of break. “It feels like winning the Grand Lotto jackpot prize. Something that comes out of nowhere, but then you do find yourself living the dream. Like it's a dream – until you accept that it's real.” He’s even more grateful of the fact that such huge trust was put on his shoulders, with two big names along with a script that braves the norm included in the picture. While this kind of responsibility can make anyone tremble with pressure, Petersen faced the challenge with excitement – even more so as he confronted the material. “I knew there was an opportunity to pivot the story towards something that felt current and timely, in the way we could uncover what it means to be a young, powerless Filipino living today, and what kind of feelings that sort of pushed-to-the-edge frustration and anger can be elucidated onscreen,” he relates. With this in mind, they took an approach he described as “not a total downer and all too defeatist”, treading dark comedy in ways they have never done before. A Very Good Filmmaker Petersen’s works, applauded from his debut film to present, are a string of various genres that continues to win viewers. He takes each project with fresh eyes, deep-diving into the stories as if it’s his first time, and plays around with it. “It keeps things new and fresh for me,” the 31-year-old tells BLNC. “And so the next thing I already know is unchartered territory. And I like it that way.” We could say this approach is his secret in standing out in the creative field, but he also credits the way he injects a brand of “intimacy” – a piece of himself – in his work. He remembers his beginnings as a budding director, showcasing stories that concerned and reflected is own personal queer experiences reflected in the story content and through lines. However, as he further stretched his wings, Petersen also reached new heights, finding discoveries that grounded him most as the filmmaker that he is today. “My youth is full of those mostly unrequited, ultimately cathartic queer desires, or stories that demanded acceptance for the community. As I grew up, I felt like these queer devotions kept expanding into something else.” He adds, “I've navigated my twenties building a lot of precious relationships out of my queer experience. This particular concept of 'found families', in the way we bind ourselves with another and forming a complex unit of unlikely ties, for better or for worse, found its way constantly at the core of my narrative works.” Petersen made this apparent in his concept of makeshift brotherhoods seen in “2 Cool 2 Be 4gotten”, the make-believe couple-hood in “An Inconvenient Love”, barkada as second families in “Hello Stranger”, and the sticky, ambiguous mother-daughter dance “A Very Good Girl”. “I just really feel like whatever I am asked to do, this queer stamp will still be very much felt in any work I do,” he asserts. This will also be evident in his six-year project, the upcoming “Some Nights I Feel Like Walking” – a film that he puts as the most personal he’s done throughout his career. The director supplies another trick in his directorial and creative power. “It seems like a simple question, but I find that it's the hardest question to answer all throughout the filmmaking process,” Petersen shares. That apart from the “how”, it’s as – or even more – important to know “why” you want to tell your story. You know where to find his answers. Photo @stephencapuchino with @mpnavato Art Direction @jobonacpil Makeup @janellcapuchino Special Thanks @starcinema @riseartiststudio @micodelrosario1 @keiaaemielle @dharchavez @trshrigs Star Cinema: Mico Del Rosario Keia Inciong Dhar Chavez Patricia Rigodon

"Male-Fe" seeks to traverse the masculine body through a feminine sensibility that enhances virility and sensuality. Photography_ Andres Fegara (@andresfegara) Fashion_ Mireia Torra (@miretorra) Model_ Javier Rodríguez (@javieroddriguez) from Blow Models (@blowmodels) Grooming and hair_ Virginia Marqués (@virginiamarques_) Clothes_ Vintage

curated by Alessia Terzaghi The Grey Space 331 P.Guevarra street, San Juan, Metro Manila Saturday, Oct. 7 from 4:00 pm will be the opening of the group exhibition "The thief of sacred things" curated by Alessia Terzaghi at The Grey Space gallery. Participating in the exhibition are artists: Pablo Bermudez, Jigger Cruz, Auggie Fontanilla, Doktor Karayom, Robert Langenegger, Marlo Montoya, Manuel Ocampo and Jan Sunday. "Thief of sacred things," is how we could literally translate the latin word “sacrilegus”. Sacrilegious is something offensive or irreverent toward sacred institutions, with this attitude the artists part of this exhibition steal and desecrate iconographies of the Christian religion that for centuries have been at its exclusive service; investigating and reinterpreting its symbolism in an irreverent way. Images such as Madonna and Child, Blessing Christ, or the crucifixion, which we spot daily, hanging in offices or on billboards along the streets are repurposed according to the styles of the various artists. Iconographic compositions now part of the collective imagination, are stripped of that sacred, intimidating and submissive character thus highlighting their hypocrisies and contradictions. Robert Langenegger, I_m not mr. N_sync, 48x48in, acrylic on canvas and basketball ring, 2017 Pablo Bermudez,DESTINO MANIFIESTO_7 45x30x10 cm, aluminum print and mixed technique, 2022 Auggie Fontanilla with the prison jumpsuit and tattoos, Pablo Bermudez with the reference to jeepney metal, an image-carrying vehicle, and Robert Langenegger with the basketball hoop seize on elements evocative of working-class neighborhoods where religious iconography is already itself decontextualized and mixed with pop elements, creating a stylistic contrast. Manuel Ocampo's Madonnas with Child transgresses normal representation, being muddy, libidinal and impure figures; qualities opposite to those attributed to the Virgin Mary, pure white and incorrupt. The artist also wonders what is the point of continuing to paint subjects so widely abused by art over the centuries, going so far as to produce kitsch representations today. Jan Sunday,_The Path Within_ Artist_s thong bikini, tapestry, acrylic and thread 2023 Doktor Karayom, PULANG ULAN, 145x94cm, mixed media, 2023 Doktor Karayom with a very personal language tells a story of the loss of faith and thus a consequent destruction of all that had been believed in: images, ornaments, altars and offerings. Other artists resort to a method of post production, destroying, breaking down and reassembling cult objects or images to elaborate their own critical language. Jan Sunday, with her works composed of red loincloths and religious tapestries cut, torn and sewn up, offers a provocative and sensual key with a feminist gaze. Jigger Cruz and Marlo Montoya use post production of pre-existing objects or images, such as ancient altar sculptures or photographs of popes. Manuel Ocampo, _A subject that need not to be painted again 1 (the holy family)_, 60x45cm, oil on canvas, 2023 Auggie Fontanilla, Maynila Malulwalhati, Coverall one-piece size Large, Serigraph print on vintage jumpsuit, 2022(1) Manuel Ocampo, Black Marias, 162x182 cm, Oil on wooden panels with metal hignes, 2023 (1) Marlo Montoya, “Retrato de Papa Pio XII”, 17,7x28,3 inch, post production of photography and digital painting, 2023 Jigger Cruz, Spatial Thinker THE THIEF OF SACRED THINGS curated by Alessia Terzaghi The Grey Space 331 P.Guevarra street, San Juan, Metro Manila Saturday, Oct. 7 from 4:00 pm will be the opening of the group exhibition "The thief of sacred things" curated by Alessia Terzaghi at The Grey Space gallery. Participating in the exhibition are artists: Pablo Bermudez, Jigger Cruz, Auggie Fontanilla, Doktor Karayom, Robert Langenegger, Marlo Montoya, Manuel Ocampo and Jan Sunday.